Jumat, 31 Januari 2014

~~ Free Ebook Suburbia (new version), by Eric Bogosian

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Suburbia (new version), by Eric Bogosian

“Bogosian’s script retains the playwright-performer’s trademark vitriol and hammer wit.”—Time Out

This new version of Eric Bogosian’s best-selling play, set in a convenience store parking lot, premiered last season Off Broadway. His rewrites—for a world seeped in cell phones, hip-hop, and a new political context—render the piece “an American anyplace where everything, yet nothing, has changed” (The New York Times).

Eric Bogosian’s plays and solo shows include Talk Radio (Pulitzer Prize finalist); Sex, Drugs, Rock & Roll; Pounding Nails in the Floor with My Forehead; and Drinking in America. He has received three OBIE awards and has toured throughout the country.

  • Sales Rank: #653272 in eBooks
  • Published on: 2012-09-15
  • Released on: 2012-09-15
  • Format: Kindle eBook

Review

“Chekhov high on speed and Twinkies. A Work as ferocious as Mr. Bogosian’s own one-man shows.” -- David Richards, New York Times

“A scarifying dissection of youthful disillusion that manages to be both appalling and appealing.” -- Newsweek

“Bogosian’s script retains the playwright-performer’s trademark vitriol and hammer wit.” -- TimeOut New York

This updated version of Eric Bogosian’s theatrical tour de force, set in a convenience store parking lot, recently riveted audiences in its Off-Broadway premiere. His rewrites – for a world with cell phones, hip-hop and war-time cultural tensions – render the piece “an American anyplace where everything, yet nothing , has changed.” -- Celia McGee, New York Times

"Riveting, Powerful and Exciting!" - Larry Worth, The Hollywood Reporter

“Brimming with black humor, sex and sad consequences.” -- Matt Windman, amNY

“Dark, intense and disturbing.” – Roger Ebert, Chicago Sun-Times

“Venomously funny!” – Elvis Mitchell, New York Times

“Like the charismatic performer/writer himself…his SUBURBIA characters seethe with large caustic doses of humor, anger and angst…there's no denying Bogosian's crackling intelligence, his rejection of easy sentimentality, and the way he often does capture the cadences of alienation.” -- Michael Musto, New York Daily News

About the Author
Eric Bogosian is the OBIE-award winning writer and performer of "Sex, Drugs, Rock & Roll", and "Drinking in America", as well as his plays "Suburbia" and "Talk Radio", both made into major motion pictures.

Most helpful customer reviews

6 of 6 people found the following review helpful.
SUBURBIA: A Slice of Life from a Rotting Orange
By Eric Wilkinson
SUBURBIA is the hilarious at times and unsettling at others story of a group of friends who are awaiting the arrival of a high school classmate who is now a rockstar complete with annoying pretentious twit girlfriend in tow. These kids are bitter, hard, and cold, but it's only because they don't feel like they've gotten the best of opportunities. From the ex-military drunkerd, to the goofy pizza guy, to the bitter punk who screams "F--k Oliver Stone,f--k Bill Clinton,f--k O.J. Simpson...",etc.,etc. and calls it an art piece about testosterone, to the girl's boyfriend who's on thin ice, is the most grounded of the group, and seems to be headed nowhere and care about it. Well-written by the crafty Bogosian, this is a representation of every little town in America akin to my town of Wilsonville,Oregon. Sad and poignant.

3 of 3 people found the following review helpful.
Wake Up America!
By A Customer
There are some values that simply can not be measured. In the synopsis of SubUrbia, one can read of the plot in the book. The true power of the book, however, is not in its plot. The power is in the searing criticism of American society. Bogosian masterfully depicts the evils of American society through the actions and the very constitutions of his characters. These characters find themselves aimlessly adrift in the horse latitudes on the way to adulthood. Bogosian's wake up call to America is driven home when the abrupt ending is punctuated with crazed shouts from a foreigner

3 of 3 people found the following review helpful.
pretty good
By T. Lloyd
i prefer bogosian's monologues to his plays. suburbia was good, but i preferred talk radio. a quick enjoyable read. if you are only going to read one of his books read "pounding nails into the floor with my forehead"

See all 12 customer reviews...

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Rabu, 29 Januari 2014

!! Ebook Download The Complete Dramatic Works of Samuel Beckett, by Samuel Beckett

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The Complete Dramatic Works of Samuel Beckett, by Samuel Beckett

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The Complete Dramatic Works of Samuel Beckett, by Samuel Beckett

The present volume gathers all of Beckett's texts for theatre, from 1955 to 1984. It includes both the major dramatic works and the short and more compressed texts for the stage and for radio.

'He believes in the cadence, the comma, the bite of word on reality, whatever else he believes; and his devotion to them, he makes clear, is a sufficient focus for the reader's attention. In the modern history of literature he is a unique moral figure, not a dreamer of rose-gardens but a cultivator of what will grow in the waste land, who can make us see the exhilarating design that thorns and yucca share with whatever will grow anywhere.' - Hugh Kenner

Contents: Waiting for Godot, Endgame, Happy Days, All That Fall, Acts Without Words, Krapp's Last Tape, Roughs for the Theatre, Embers, Roughs for the Radio, Words and Music, Cascando, Play, Film, The Old Tune, Come and Go, Eh Joe, Breath, Not I, That Time, Footfalls, Ghost Trio,...but the clouds..., A Piece of Monologue, Rockaby, Ohio Impromptu, Quad, Catastrophe, Nacht und Traume, What Where.

  • Sales Rank: #98398 in eBooks
  • Published on: 2012-12-20
  • Released on: 2012-12-20
  • Format: Kindle eBook

About the Author
Samuel Beckett was born in Dublin in 1906. He was educated at Portora Royal School and Trinity College, Dublin, where he graduated in 1927. His made his poetry debut in 1930 with Whoroscope and followed it with essays and two novels before World War Two. He wrote one of his most famous plays, Waiting for Godot, in 1949 but it wasn't published in English until 1954. Waiting for Godot brought Beckett international fame and firmly established him as a leading figure in the Theatre of the Absurd. He received the Nobel Prize for Literature in 1961. Beckett continued to write prolifically for radio, TV and the theatre until his death in 1989.

Most helpful customer reviews

106 of 109 people found the following review helpful.
Amazon needs to list the content of the collection
By Jared M. Polonowski
For everyone else wondering I finally found the names of pieces in this collection;

Waiting for Godot, Endgame, Happy Days, All That Fall, Acts Without Words, Krapp's Last Tape, Roughs for the Theatre, Embers, Roughs for the Radio, Words and Music, Cascando, Play, Film, The Old Tune, Come and Go, Eh Joe, Breath, Not I, That Time, Footfalls, Ghost Trio, ... but the clouds ..., A Piece of Monologue, Rockaby, Ohio Impromptu, Quad, Catastrophe, Nacht und Traume, What Where

So hopefully this helps people like me. I can't be sure this is the true list but it is what the manufacturer had listed.

14 of 14 people found the following review helpful.
5 stars
By Liz Lou
This book arrived in a timely manner and in perfect condition. As stated in the description, all of Samuel Beckett's dramatic works are in this collection, and it totals over 400 pages. Highly recommend to fans of the Theater of the Absurd or dark humor.

1 of 1 people found the following review helpful.
All the Plays in one place
By michael cole
What could be bad about all Beckett's plays in one book? Waiting for Godot 'the only play in which nothing happens, twice', Endgame 'playing for a certain end' and Krapp's Last Tape 'the reappraisal of a life' are all here, together with other gems.

See all 11 customer reviews...

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Senin, 27 Januari 2014

? Download Attempting Normal, by Marc Maron

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Attempting Normal, by Marc Maron

NATIONAL BESTSELLER

People make a mess.
 
Marc Maron was a parent-scarred, angst-filled, drug-dabbling, love-starved comedian who dreamed of a simple life: a wife, a home, a sitcom to call his own. But instead he woke up one day to find himself fired from his radio job, surrounded by feral cats, and emotionally and financially annihilated by a divorce from a woman he thought he loved. He tried to heal his broken heart through whatever means he could find—minor-league hoarding, Viagra addiction, accidental racial profiling, cat fancying, flying airplanes with his mind—but nothing seemed to work. It was only when he was stripped down to nothing that he found his way back.
 
Attempting Normal is Marc Maron’s journey through the wilderness of his own mind, a collection of explosively, painfully, addictively funny stories that add up to a moving tale of hope and hopelessness, of failing, flailing, and finding a way. From standup to television to his outrageously popular podcast, WTF with Marc Maron, Marc has always been a genuine original, a disarmingly honest, intensely smart, brutally open comic who finds wisdom in the strangest places. This is his story of the winding, potholed road from madness and obsession and failure to something like normal, the thrillingly comic journey of a sympathetic f***up who’s trying really hard to do better without making a bigger mess. Most of us will relate.

Praise for Attempting Normal
 
“I laughed so hard reading this book.”—David Sedaris
 
“Funny . . . surprisingly deep . . . laced with revelatory insights.”—Los Angeles Times
 
“Superb . . . A reason that [it] is a superior example of an overcrowded genre—the comedian memoir—is Mr. Maron’s hardheaded approach to his history, the wisdom of experience.”—The New York Times
 
“Marc Maron is a legend because he is both a great comic and a brilliant mind. Attempting Normal is a deep, hilarious megashot of feeling and truth as only this man can administer.”—Sam Lipsyte
  
Praise for Marc Maron and WTF
 
“The stuff of comedy legend.”—Rolling Stone 
 
“Marc Maron is a startlingly honest, compelling, and hilarious comedian-poet. Truly one of the greatest of all time.”—Louis C.K.
 
“I’ve known Marc for years and I can tell you first hand that he’s passionate, fearless, honest, self-absorbed, neurotic, and screamingly funny.”—David Cross
 
“Revered among his peers . . . raw and unflinchingly honest.”—Entertainment Weekly

“Devastatingly funny.”—Los Angeles Times
 
“For a comedy nerd, this show is nirvana.”—Judd Apatow


From the Hardcover edition.

  • Sales Rank: #55634 in eBooks
  • Published on: 2013-04-30
  • Released on: 2013-04-30
  • Format: Kindle eBook

Review
Praise for Attempting Normal
 
“I laughed so hard reading this book.”—David Sedaris
 
“Funny . . . surprisingly deep . . . laced with revelatory insights.”—Los Angeles Times
 
“Superb . . . A reason that [it] is a superior example of an overcrowded genre—the comedian memoir—is Mr. Maron’s hardheaded approach to his history, the wisdom of experience.”—The New York Times
 
“Marc Maron is a legend because he is both a great comic and a brilliant mind. Attempting Normal is a deep, hilarious megashot of feeling and truth as only this man can administer.”—Sam Lipsyte

Praise for Marc Maron and WTF
 
“The stuff of comedy legend.”—Rolling Stone 
 
“Marc Maron is a startlingly honest, compelling, and hilarious comedian-poet. Truly one of the greatest of all time.”—Louis C.K.
 
“I’ve known Marc for years and I can tell you first hand that he’s passionate, fearless, honest, self-absorbed, neurotic, and screamingly funny.”—David Cross
 
“Revered among his peers . . . raw and unflinchingly honest.”—Entertainment Weekly
 
“Devastatingly funny.”—Los Angeles Times
 
“For a comedy nerd, this show is nirvana.”—Judd Apatow

About the Author
Marc Maron is a stand-up comedian and host of the podcast WTF with Marc Maron.  He has appeared in his own comedy specials on Comedy Central, HBO, and Netflix, and his sitcom, Maron, airs on IFC. He lives in Los Angeles.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1 

The Situation in My Head

I had a bad run-­in with myself on a plane recently. I had just flown from Dublin to Chicago and hadn’t slept much. I was strung out. Tired. Tweaky. I changed planes in Chicago to fly to Los Angeles. Things were vibrating and I was edgy. I was in the exhaustion zone, feeling the kind of tired you can’t sleep off because you can’t sleep, because your blood is pumping caffeinated dread and loathing.

I was seated at the front of coach in an aisle seat, directly behind the first-­class dividing wall and the flight attendant service area. It’s my favorite seat on a plane. I like watching people get on the plane so I can judge them. I like judging. I didn’t see any real problems among the passengers who awkwardly clumped onto the plane, but I definitely felt like I was in a better place than some of them, which helped take the edge off my mood. Judging works.

We took off. The flight attendants were strapped in almost directly in front of me, facing me. I always scan their faces for fear. I rarely see it. When I do see something dark flicker across their faces, it usually seems like it has nothing to do with the job. More likely something personal that followed them onto the plane. But then again, what do I know. I project. Then I judge.

The crew seemed pleasant. One woman in particular seemed genuinely nice: blond hair, about fifty, pretty in the classic California way. I always wonder when I see older flight attendants if they’ve been at it since the seventies, when things were crazy. Did she ever have sex in a cockpit? Did she survive a crash? Get tied up in a hijacking? Did she ever have sex in a bathroom with a passenger? With the pilot? I like to give my flight attendants a bit of backstory. I decided she was an out-­of-­control instigator of major in-­flight mayhem back in the day. She got through it disease-­free and didn’t end up in rehab. She started a family, her husband had a drug problem he couldn’t kick and left her, but she did all right. The husband had a lot of money, so she’s good. Humble and wise. She lives in Topanga with a few big dogs. Her kids are in college. Only a few people know her from her old life and one of them is the pilot on the flight I am on. That’s who I made the flight attendant up to be.

Once we were up in the air I was crawling out of my skin. I couldn’t sleep and had definitely had enough of flying. I needed to walk around and judge. I walked down the aisle toward the back of the plane in hopes of going to the bathroom. I didn’t  really have to go but sometimes it’s just nice to lock yourself in the bathroom of a plane and take a few minutes to look in the mirror. I reached the door of the bathroom and the little lock indicator said Vacant, but there was a man standing in front of the door. Hanging out, I guess. He was a Middle Eastern–­looking man, olive-­skinned with Semitic features—­a dubious shade of brown. I looked at him and gave him a raised-­eyebrow grunt, asking if he was waiting. He looked me right in the eye but didn’t speak for a moment. Then he shook his head no. It was a simple gesture, but seemed ominous and cryptic. I couldn’t understand why he was standing there. In retrospect he was probably just doing what I was doing. Stretching, moving around. But in that moment, when I looked into his eyes, fear shot through me. I was sure that this guy was up to something. He had that look in his eye. Scheming, driven, full of will and sacrifice. He was clearly Palestinian or Saudi and we were all in trouble. The worst of it was that I was sure I was the only one on the plane who knew that something truly awful was about to happen. I knew and he knew I knew. I could see it in that quick glance he shot me letting me know that he wasn’t going into the bathroom. No, he was going into the cockpit. It was that kind of look.

I didn’t go into the bathroom. I lingered around in the rear flight attendant station thinking, watching, figuring out what had to be done. The suspicious-­looking, dubious-­shade-­of-­brown man started making his way down the aisle. I decided to follow him. I found out very quickly that it’s hard to discreetly follow someone on an aircraft. I gave him about ten steps, then I started pacing behind him down the aisle toward the front of the plane. He walked right through the division between the classes, from coach into business. I stopped in the service area, afraid to cross the class line, and watched him disappear behind the curtain. I was completely panicked. I knew he was heading for the cockpit. I hadn’t figured out what his plan was but I knew we were all in trouble and no else knew. I had to save us. I pulled the curtain back and focused intently on the man moving toward the front of the plane. I can only imagine what my face looked like or what kind of panic vibrations were peeling off me as I stood there trying to figure out a plan, my brain working the angles.

“Is everything okay, sir?”

It was the flight attendant, the one who’d been through some shit and come out on the other side. I turned. She looked concerned. Some part of me knew I couldn’t spill everything, that she wouldn’t understand if I just babbled out everything I knew. So this came out of my mouth:

“Uh, well, there’s . . . a situation. In my head.”

“Maybe you should sit down, sir,” she said, concerned, like I was the one with a problem.

“Um. I think we . . . okay. Yeah, okay,” I said, letting go of my horrible knowledge and the impending crisis for a moment. “I’ll sit down. But . . . okay.”

I sat down in my seat, my brain still feverishly running scenarios. I knew what was happening. I saw it in my mind. The dubious-­shaded-­brown man was already in the cockpit. He had on a pair of rubber gloves that had been soaked in an ancient toxin that he had achieved immunity to by exposing himself to it in small doses over the last year. He had already touched the neck of the pilot and copilot, who were in full cardiac arrest with a pinkish white foam coming out of their mouths as they gasped and writhed in their final throes. The man was moments away from taking control of the plane, plummeting us to a lower altitude, and putting us on a flight path into the target of his choice.

I don’t make pretty pictures. Sometimes I wish my imagination were fueled by something other than panic and dread. But I don’t have control over my gift. It has control over me and I am dragged by it more often than not, away from the idyllic land of normal and onto the jagged shores of self-­destruction. Imagining the worst has always been a great comfort to me. If there is turbulence there is an imminent crash. If she doesn’t pick up the phone, she is fucking someone. If there is a lump it is a tumor. By thinking like this I protect myself from disappointment. And if anything other than the worst-­case scenario unfolds, what a pleasant surprise! The problem is that I am always walking around preparing for and reacting to the horrors of what my brain is making up, living as if every potential terror and every defeat were already happening—­because in my mind, it always is. I think if I could just create a series of characters to enact all the heinous possibilities my brain manufactures to insulate me from joy, then I would be using my creativity in a safer way. I see maybe an animated series or perhaps several epic paintings, large canvases. I’m talking the whole wall of the gallery big.

I don’t like animation and I’m not a painter. All I can do is imagine these horrors and share them with you.

I sat in my seat powerless, waiting for the plunge. I was squinting hard and clutching the armrests when I felt a tap on my shoulder. I opened my eyes to see the entire flight crew standing over me. The one who seemed to be the leader, a hard-­looking woman, asked, “Are you all right, sir? Do you need medical attention?” The kind flight attendant had betrayed me and now stood behind the monster in an apron who was interrogating me. I wondered how I became the problem. If they only knew what was about to happen they would be thanking me for being the one person perceptive enough to see it. I was actually hoping that we’d lurch into a sudden descent at that moment. I was hoping that they would all go flying toward the back of the plane, screaming and thumping along the ceiling. Then they’d know I was right.

Most helpful customer reviews

52 of 61 people found the following review helpful.
He saved us during the Bush years, and it nearly destroyed him
By hackwriter
I discovered Marc Maron on April 1, 2004, when the new Air America Radio morning show, "Morning Sedition" premiered. Over the next year-and-a half, Marc Maron, Mark Riley, and a brilliant team of writers created the greatest sociopolitical radio show since Jean Shepherd -- an unheralded gem that only a few rabid fans recognized. Little did we know that while we clung to comedy bits like "Presidential Palm Pilot", "Mourning Remembrance", "Marching Orders from the Streisand Compound" and "Sammy the Stem Cell" to keep us sane during the Bush years, what was keeping us from despair was nearly destroying Marc Maron from the inside out.

Maron isn't everyone's cup of tea. Perhaps you have to have lived in a head that works like this to laugh until you cry when you listen to WTF or go to a live broadcast or stand-up performance. But no one else gets to the angst of life in 21st century America the way Marc Maron does. Maron seems now to have been ahead of his time, and in these anxious times, his time has clearly arrived. "Attempting Normal" is a hilarious, bitter, bemused, brutally honest self-examination by a man who hit rock bottom and clawed his way back out in a way he never anticipated. At times this book will make you cringe with its honesty; sort of like knowing too much about the sex life of your parents. But Maron's lack of boundaries gives him an intimacy with his increasing number of fans that is all too rare. Unless you were fortunate enough to be born into The Perfect Family, you will see something of yourself in "Attempting Normal."

Perhaps Maron shares too much of himself. But there is no more generous a performer in the business. We knew about his gifts as a stand-up comic and has an interviewer. Earlier generations could make do with gentler-by-comparison humorists such as Mark Twain, Robert Benchley, and Jean Shepherd. But we live now in loud and absurd times that require a loud voice to rail against the absurdity.

31 of 37 people found the following review helpful.
You may need to shower after each chapter, but it is a funny read
By Larry Mark MyJewishBooksDotCom
Rarely is there a book that reveals such frighteningly funny and grossly abnormal honest episodes in a person's life that the reader may feel dirty after some chapters. But so what, the experience is worth it. It is laugh out loud funny (and sad), and you realize that stand-up comics (or most of them) are truly different or more scary than clowns, mimes, and street deviants. Maron tells us that many are self destructive and intense who crave acceptance, acknowledgement, and approval from others. In this book, Maron shares his experiences with us in the hope that we are all going to be okay; this sharing of experiences, and your realization that we all go through a lot of crap, can heal the world or at least you.

Maron, one of America's top insightful and thoughtful comedians, is an obsessive over-thinking ruminater (The Ruminater). He is a hoarder of items and experiences. He opens the book wondering why he hoards so many trinkets and how his mother and brother would deal with his relics should he pre-decease them (A college library is not going to crave his scribbles and framed 'Apocalypse Now' lobby card).

Maron fills the book with life events that inform us of his family and friends: his father competing for attention with his grandfather's corpse at his grandfather's NJ funeral; his interactions with other comics "doing their time;" a heroin addled comic who did his finest when high; his feral cats on the night before the 2004 GOP convention; his self-funded research project titled "Who is My Ex F*ing" after his 2nd wife left him; the "freedom" of masturbation in a hotel room; the girlfriend who was incapable of orgasm due to past issues abuse.

The book really opens with his paranoia on a cross country commercial jet flight, one on which he is sitting in coach and overtired and thinking that the passenger he just racially profiled is about to hijack the jet or worse. It is a perspiration filled anxious scene you would expect to see on The Twilight Zone. Next we are at his brother's wedding, where Maron is the Best Man, where he plans to seduce the Maid of Honor under the chuppah. He ends up marrying her, mainly because it was easier to marry than to have the "break-up conversation." TOO FUNNY. You know what is really telling? Maron is the guy who, upon hiring a prostitute in Boston, and paying an extra $10 for her to be topless, is asked by her if he feels a lump (he should have charged HER $10 for the exam, and yes, she did have a lump that she should really have checked out by a physician)

I enjoyed the book and you can expect to laugh over 200 times, one time for nearly every page. You will find that your life is not that bad, since your problems can not be as bad as the things he has observed or done.

4 of 4 people found the following review helpful.
Read this book.
By Shannon Giglio
A lot of ATTEMPTING NORMAL addresses my questions for comedians: “Why are you like this?” and “What happened to you?” The answers I find are doozies. Surprise, he’s got crazy parents. Isn’t that always part of the reason? He’s a former addict, a recovering rageaholic, and, twice divorced. The stories he tells in this book are real and compelling and some of them cut to the very core of the human condition. Like all good comedians, he’s a great storyteller. His writing is intelligent and insightful and I’m glad to have found it. I think this guy’s got a good heart, too. Through all his musings and misadventures, he proves himself to be very self-aware and accepting, owning all the s***ty things he’s done, but still in the fight, trying to be a better person, to make some bigger contribution. The big takeaway from this book, kind of the catch-phrase, if you will, is, “people make a mess.” And then they go on.

“I look at every book as a self-help book,” Maron says. Yeah, I get that. I read this book looking for what I’m supposed to do next. (Kidding. Kind of.)

It’s not all doom and gloom, this book.

Well, it kind of is. But it’s funny and it’s smart and it puts into words a lot of the things I wish I could talk about in my own writing.

“We’re all carrying around some s***. When you hear the things people have gone through and realize you’ve gone through the same, it provides an amazing amount of relief. It give us hope. And I think that’s what we’re supposed to get from each other. The hope that, maybe, just maybe, we’re going to be okay. Maybe.” ― Marc Maron, Attempting Normal

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Minggu, 26 Januari 2014

@ Download The Brothers Grimm Volume 2: 110 Grimmer Fairy Tales (Word Cloud Classics), by Jacob Grimm, Wilhelm Grimm

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The Brothers Grimm Volume 2: 110 Grimmer Fairy Tales (Word Cloud Classics), by Jacob Grimm, Wilhelm Grimm



The Brothers Grimm Volume 2: 110 Grimmer Fairy Tales (Word Cloud Classics), by Jacob Grimm, Wilhelm Grimm

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The Brothers Grimm Volume 2: 110 Grimmer Fairy Tales (Word Cloud Classics), by Jacob Grimm, Wilhelm Grimm

We all know the stories — or do we? We know who Snow White is, but what about Rose Red? And what happens to an all-too willful child? Learn more intriguing stories about "Wise Folks," "The King's Son Who Feared Nothing," and . . . well . . . "Donkey Cabbages"--to name a few. Jacob and Wilhelm Grimm were well-known nineteenth-century German storytellers, academics, linguists, and cultural researchers who did not hold back when telling terrifying tales, including parables and fables designed to teach and entertain readers of all ages.

- This chic and inexpensive edition comes with a heat-burnished cover, foil stamping, luxurious endpapers, and a smaller trim size that’s easy to hold.
- The Brothers Grimm Volume 2: 110 Grimmer Fairy Tales contains more than a hundred stores and fables.

The Brothers Grimm Volume 2: 110 Grimmer Fairy Tales is perfect for the short story lover, and offers many entertaining tales to delight--and fright--literature lovers.

Lexile score: 1140L

  • Sales Rank: #1324060 in eBooks
  • Published on: 2013-03-18
  • Released on: 2013-03-18
  • Format: Kindle eBook

About the Author
Jacob Grimm and Wilhelm Grimm (1785-1863) collected and published Germanic and European folk and fairy tales during the early to mid 19th century. Some of the world’s most classic and beloved stories have been published by them, including "Rumplestiltskin," "Snow White," "Sleeping Beauty," "Rapunzel," "Cinderella," "Hansel and Gretel," and many more. Margaret Hunt lives in England.

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1 of 1 people found the following review helpful.
This is a beautiful edition of Grimms Fairy tales
By PepsiJedi
This is a beautiful edition of Grimms Fairy tales. The embossed cover has pieces of the stories from inside scrolling across it and it lends a little something to the appearance. I liked it so much I bought the other edition available too, and begun collecting more in this series of boooks.

0 of 0 people found the following review helpful.
Five Stars
By Allysa Bailey
Great stories.

0 of 1 people found the following review helpful.
One Star
By Amazon Customer
Got two of them. Both damaged.

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@ Ebook Studies in Pessimism, by Arthur Schopenhauer

Ebook Studies in Pessimism, by Arthur Schopenhauer

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Studies in Pessimism, by Arthur Schopenhauer

Studies in Pessimism, by Arthur Schopenhauer



Studies in Pessimism, by Arthur Schopenhauer

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Studies in Pessimism, by Arthur Schopenhauer

Collected here are nine short essays, On the Sufferings of the World, The Vanity of Existence, On Suicide, Immortality: A Dialogue, Psychological Observations, On Education, Of Women, On Noise, and A Few Parables, by the world renowned philosopher Arthur Schopenhauer.

  • Sales Rank: #173205 in eBooks
  • Published on: 2012-12-28
  • Released on: 2012-12-28
  • Format: Kindle eBook

From the Publisher

From the Back Cover
A disciple of Kant and a significant factor in shaping Nietzsche's thinking, Arthur Schopenhauer worked from the foundation that reality is but an extension of our own will, and that human life is characterized chiefly by misery.

In this essay, translated by THOMAS BAILEY SAUNDERS (1860-1928) and first published in English in the 1890s, Schopenhauer offers his thoughts:

* on "the sufferings of the world," and why evil is positive * on "the vanity of existence," * on suicide * on immortality, and why it is less than desirable * on women, and why "they remain children their whole life long" * and more.

Students of philosophy and of 19th-century intellectualism will find this a fascinating read.

About the Author
The writings of German philosopher ARTHUR SCHOPENHAUER (1788-1860) were a profound influence on art and aesthetics, music and literature in the 19th century. Among his many writings are On the Fourfold Root of the Principle of Sufficient Reason (1847) and The World as Will and Idea (1819), considered his masterpiece.

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21 of 23 people found the following review helpful.
A supreme pessimist
By magellan
I like Schopenhauer although his philosophy and metaphysics, which is called absolute voluntaristic idealism, hasn't faired that well in the last 100 years, although when I was in college 30 years ago he seemed to be popular among the students I knew who enjoyed reading philosophy.

There are several reasons why Schopenhauer's thought is still important. An idealist like Kant, he kept Kant's distinction between the noumenal and the phenomenal, between the mental and external representations of reality. Kant's defense of idealism, that some ideas or at least mental processes are innate, is still relevant in modern brain science and neurobiology and in Chomsky's theories in linguistics, especially in regard to Chomsky's ideas about language learning and acquisition, in which there is support from brain science for a built-in facility in humans for language, and possibly an innate syntactical generator component to language ability.

Although innate ideas probably don't exist in the way that Kant envisioned them, modern brain science has supported his theory that the mind or brain is actively involved in the organizing and structuring of the data from the senses, and that we couldn't make sense of reality if we didn't have inborn aptitudes and capabilities to do that.

Schopenhauer emphasized the importance of Eastern philosophy and the validity of its introspective methods, while maintaining his overall empirical approach. His moral and ethical philosophy is based on compassion rather than on practical and reasonable considerations like Kant's. He was probably the first important western philosopher to give credit to Zen and Buddhist thought, while remaining faithful to the empirical principles of science.

Outside of philosophy his thoughts have had a major impact on psychology and the arts. He was the most important influence on both Nietzsche and Wittgenstein, and he also had a great influence on Freud and Jung, and on writers and composers from Wagner to Tolstoy. During the 20th century, Schopenhauer's reputation faded and the importance of his work has been to a great extent overlooked, but recent books show that his importance is being rediscovered and reappraised.

I have a personal anecdote to recount. My college roommates and I used to read Schopenhauer at night to each other over a couple of beers, and we found his acerbic, trenchant style and sharp wit a delight to read, and this book is perhaps the best example of his prose in that regard. One Schopenhauer quote I still remember after 30 years is: "Intellect comes from the mother; character from the father," which might say a lot about his family life and how he grew up.

Schopenhauer is also famous for quotes such as:

"The two foes of human happiness are pain and boredom."
(from his Essays, Personality; or What a Man Is).

"I have long held the opinion that the amount of noise that anyone can bear undisturbed stands in inverse proportion to his mental capacity and therefore be regarded as pretty fair measure of it."

"To marry is to halve your rights and double your duties."

I have to include my favorite quote on marriage here, although it isn't Schopenhauer's, and I don't know where it came from, although it echoes his sentiments: "Marriage is the institution where the woman loses her the name and the man his solvency."

His dyspeptic view of life might have been fostered by his delicate digestive system. He would spend many minutes and even hours poring over the menu before ordering his food in the cafes where he usually dined, because a wrong choice "could send his nerves ringing for days," according to one comment I read about him. Whatever the source of his pessimism, Schopenhauer seemed almost embarrassed and ashamed to be in a human body, because he did not seem to find much good in humans or human society. No doubt he would have preferred to be a higher, more intelligent species than humans, if such exists somewhere else in the universe. But Schopenhauer didn't seem to think that intelligent life existed here. :-)

Whatever the current fate of his reputation, Schopenhauer was a uniquely gloomy intellect who contributed much to several areas of philosophy. And not the least of his virtues is that he was a true cynic and pessimist--surely the most accurate view of life, after all. :-)

5 of 5 people found the following review helpful.
An embarrassment
By Amazon Customer
This book is print-on-demand, and it was probably the lowest quality print job I've ever encountered. There are major formatting errors on virtually every page. There is no indentation for new paragraphs, which makes a challenging text extremely difficult to read. Beyond that, the formatting errors, coupled with the total lack of publishing information, makes it impossible to cite. If this is the quality of publishing we can expect from print-on-demand, I say we return to the monastic system and start copying books by hand.

1 of 1 people found the following review helpful.
A good baby step into Schopenhauer.
By SG
Well... Artie isn't going to win the women's vote... that much is clear. Still, there are interesting thoughts here, even in his essay on women.

I don't have any direct experience with Schopenhauer outside this work and know only what I was taught from Russell and, more especially, Durant. Given that, I can conclude, while the interested reader will find some good here, they will not find the genius of the man.

Still, I like short books, when they are deep, and this was very easy to digest in a few short sittings. I enjoyed it.

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Kamis, 23 Januari 2014

! Ebook Free A Measure of Danger: The Memoirs of Legendary War Correspondent Michael Nicholson, by Michael Nicholson

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A Measure of Danger: The Memoirs of Legendary War Correspondent Michael Nicholson, by Michael Nicholson

A Measure of Danger: The Memoirs of Legendary War Correspondent Michael Nicholson, by Michael Nicholson



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A Measure of Danger: The Memoirs of Legendary War Correspondent Michael Nicholson, by Michael Nicholson

Over the past 25 years, Michael Nicholson has covered more wars and conflicts than almost any other TV reporter. Vietnam and Cambodia, Israel and Lebanon, Cyprus and Soweto, Angola and the Falklands – Michael Nicholson reported them all.



A Measure of Danger is a classic insider's account of the men who fight and those who report the fighting, of the brave and the foolish, the leaders and the led, the victors and the victims. Above all, it is an ironic, vivid and unforgettable testament to the brutality and the futility of war.



This ebook edition has been updated to include the Gulf Wars – his reporting of which led to Michael Nicholson being awarded the OBE – and his return to the Falklands in 2012.

  • Sales Rank: #1369631 in eBooks
  • Published on: 2013-01-21
  • Released on: 2013-01-21
  • Format: Kindle eBook

About the Author
Michael Nicholson is one of the world’s most travelled and most decorated television foreign correspondents. He has braved 18 war zones over the past 40 years, picking up a host of awards. Michael is a familiar face in Britain’s homes as a former anchor of ITV’s Evening News and a correspondent for long-running current affairs series Tonight. He has won numerous British and international awards for his reports – from Biafra, Cyprus and Vietnam – and has twice been named the Royal Television Society Journalist of the Year. For his coverage of the Falklands War he was given the prestigious Richard Dimbleby Award by BAFTA. In 1991, Michael was awarded the OBE for his reporting of the Gulf War. His books include The Partridge Kite, Red Joker, December Ultimatum, Pilgrims Rest, Across the Limpopoand his memoir A Measure of Danger. His book Natasha’s Story, the gripping account of how he bought an orphan from war-torn Bosnia home to the UK, was made into the Hollywood film Welcome to Sarajevo in 1997.

Most helpful customer reviews

0 of 0 people found the following review helpful.
disappointing pat on the back monologue
By Forshawau
Started to lose interest at the part where Michael takes credit for singlehandedly turning back South Africa's invasion of Angola. A correspondents view will always be interesting, but visits to war will never be the same as partaking in them.

Would not make many ex Rhodesians happy with his views, which funnily enough do not cover the British governments craven manipulation of Mugabe into power.

0 of 0 people found the following review helpful.
Excellent
By Charles
I thoroughly enjoyed not only the story of Mr. Nicholson`s years as a war correspondent but also his sly and self deprecating way of writing. Often what he chooses not to say about a particular incident or horror makes the mental image that much more gripping.

0 of 0 people found the following review helpful.
a fine read
By A Forest Fan
Many stories that you won't get on the evening newscast. Get a personal perspective from one who was there. I would also recommend the memoirs of other journalists like Peter Arnett and those who put themselves in harm's way for the public.

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Selasa, 21 Januari 2014

* Fee Download Death in Venice (MAXNotes Literature Guides), by Boria Sax

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Death in Venice (MAXNotes Literature Guides), by Boria Sax

REA's MAXnotes for Thomas Mann's Death in Venice MAXnotes offer a fresh look at masterpieces of literature, presented in a lively and interesting fashion. Written by literary experts who currently teach the subject, MAXnotes will enhance your understanding and enjoyment of the work. MAXnotes are designed to stimulate independent thought about the literary work by raising various issues and thought-provoking ideas and questions. MAXnotes cover the essentials of what one should know about each work, including an overall summary, character lists, an explanation and discussion of the plot, the work's historical context, illustrations to convey the mood of the work, and a biography of the author. Each chapter is individually summarized and analyzed, and has study questions and answers.

  • Sales Rank: #1805896 in eBooks
  • Published on: 2013-01-09
  • Released on: 2013-01-01
  • Format: Kindle eBook

From the Back Cover
REA’s MAXnotes is an insightful series of literature study guides covering over 80 of the most popular literary works.

MAXnotes study guides are student friendly and provide all the essentials needed to prepare students for homework, discussions, reports, and exams.

Our MAXnotes for Thomas Mann’s Death in Venice study guide includes an overall summary, character lists, explanation and discussion of the plot, overview of the work’s historical context, and a biography of the author. Each section of the work is individually summarized and includes study questions and answers.

Our Thomas Mann’s Death in Venice MAXnotes study guide is a handy resource when preparing for exams or doing homework, and it makes a great companion to the original work.

The Thomas Mann’s Death in Venice MAXnotes is also an invaluable resource for English teachers who are teaching the original work and need a refresher. Each MAXnotes includes topics for term papers with sample outlines.

 

 

About the Author

German essayist, cultural critic, and novelist, Thomas Mann was awarded the Nobel Prize in Literature in 1929. Among his most famous works are Buddenbrooks, published when he was just twenty-six, The Magic Mountain, and Doctor Faustus.

Boria Sax is the award-winning author of City of Ravens (available from Overlook) and Animals of the Third Reich. His books have been translated into eight languages. He lives in White Plains, New York.

Boria Sax is the award-winning author of City of Ravens (available from Overlook) and Animals of the Third Reich. His books have been translated into eight languages. He lives in White Plains, New York.

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This book is a incredibly good help when you want help to understand Thomas Mann's "Death in Venice". It gives you summeries of the book, analysis, a presentation of the caracters and it suggests essay topics. The book helps you to prepare for classdiscussions because of it's answers and questions. Ask yourself the questions in the book and find out if you got the understanding of the text correctly. Then you can read the answers. You can't skip reading Mann's novella and "take the easy way out." The novella contains so much details and you do have to read it just to get the wonderful feeling and context. But when you have done that, MAX notes' book gives you so much more to add to the understanding of the story. This book gives me great help and inspiration for the college essay I'm about to write. This is the best investment in literature I've done for years!

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^^ Ebook Little Red: Three Passionate Lives through the Sixties and Beyond, by Dina Hampton

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Little Red: Three Passionate Lives through the Sixties and Beyond, by Dina Hampton

In the early 1960s, a remarkable crop of students graduated from a small New York City school renowned for progressive pedagogy and left-wing politics: Little Red School House and Elisabeth Irwin High School. These young people entered college at the peak of the transformative era we now call The Sixties, and would go on to impact the course of United States history for the next half century. Among them were Angela Davis, the brilliant, stunning African American Communist and academic who became the face of the Black Power movement; Tom Hurwitz, Students for a Democratic Society (SDS) activist and cinematographer who played a key role in the occupation of Columbia University; and Elliott Abrams, who rebelled against the leftist political orthodoxies of the school and of the times, and ultimately played key roles in the Reagan administration, the George W. Bush administrations and the neoconservative movement.

In Little Red, based on extensive original interviews and archival research, Dina Hampton tells the compelling, interwoven life stories of these three schoolmates. Their tumultuous, divergent, public and private paths wind through the seminal events and political conflicts of recent American history, from the civil rights movement to the Vietnam War; the Summer of Love to the feminist uprising; Iran-Contra to Occupy Wall Street. As they pursue political ends, each of their lives will be shaped by events, relationships and social changes they never imagined. Their successes and setbacks will resonate with anyone who has struggled to reconcile the utopian goals of The Sixties—or of youth itself—with the realities of day-to-day life in the world as it is.

Today, a new generation is taking to the streets, galvanized by controversial wars and social and economic inequities as troubling as those we faced in the 1960s. The stories of Angela, Tom and Elliott serve as both road map and cautionary tale for anyone engaged in that most American of acts—trying to perfect the world.

  • Sales Rank: #1247504 in eBooks
  • Published on: 2013-03-12
  • Released on: 2013-03-12
  • Format: Kindle eBook

From Booklist
The Little Red School House and Elisabeth Irwin High School in New York’s Greenwich Village is famous for its progressive education methods and left-wing politics and for launching into the world some of America’s best-known radicals. Journalist Hampton focuses on three Little Red graduates who went on to become major figures of the 1960s: Angela Davis, the iconic face of black nationalism; Tom Hurwitz, the filmmaker who, as an SDS activist, was a key figure in the student occupation of Columbia University; and Elliott Abrams, who rebelled against Harvard’s left-wing student groups and served in the Reagan and George W. Bush administrations. Hampton alternates in chronicling the separate but similar paths Davis, Hurwitz, and Abrams took from their days at Little Red of learning to challenge orthodoxy through the tumultuous 1960s of student protests against the war and for civil rights and women’s rights to the more current issues of Iran Contra and, lately, Occupy Wall Street. Through their personal and career ups and downs, Hampton charts the development of three persons who continue to influence the American political landscape. --Vanessa Bush

Review
Samuel G. Freedman, author & journalist
“Nearly a half-century later, America is still wrestling with the conflicts that emerged in the passionate and turbulent 1960s. Dina Hampton brings both narrative elan and analytical intelligence to bear as she explores the decade's legacy through three dramatic life stories. These people, activists of both the left and the right, are connected by Dina's other subject, the remarkable radical school called ‘Little Red.’”

Kirkus Reviews“Hampton ably maintains an evenhanded respect for her subjects’ widely varying political positions as she explores their evolution over the years, but it is her narrative skills that truly shine. Her evocation of the heady, impulsive spirit of the university-building–occupation era, awash in drugs, sex and over-the-top Marxist rhetoric, is pitch-perfect. Davis’ arrest and 1972 trial for murder in the death of a California judge are presented as a gripping courtroom thriller, counterbalanced later by the inexorable pursuit of Abrams by special prosecutor Lawrence Walsh. A capable and compelling memoir of the ’60s and its varied political legacies as reflected in the lives of three survivors.”
Publishers Weekly“This fast-paced, engaging book provides a fascinating look at how these personalities navigated an era of upheaval.”
New York Times“Dina Hampton gracefully connects the private school in Greenwich Village and its Elisabeth Irwin High School to the radical political culture of the 1960s with interwoven profiles of three prominent graduates: Angela Davis (high school class of 1961) and Tom Hurwitz and Elliott Abrams (both 1965).”

Daily Beast“This is not just another tie-dyed cultural history of the ’60s, but rather a thoroughly researched three-part biography that divides the era into a triptych. Hampton shows how America still has a long way to go before we’re out of the shadow of that decade, for better or for worse.”

Boston Globe“As a window into the extremes of the liberal ideals that made the ’60s and the social and political convulsions that have followed, “Little Red” is an instructive read…for students of America’s culture wars, the book leaves room to think for oneself.”

Washington Post“Never boring…these stories have been neglected for years, and Hampton allows a new generation of readers to learn about them…. ‘Little Red’…captures a good deal of political drama from recent decades in our nation’s history.”

About the Author
Dina Hampton is a graduate of the Columbia Graduate School of Journalism and has worked for more than a decade as a reporter and editor for publications including the New York Times and the New York Daily News. She is a late-1970s graduate of Little Red and later served as its alumni director. She lives in New York City.

Most helpful customer reviews

5 of 7 people found the following review helpful.
A School with a Cause
By Joan Felder
As a1960s alumna of the Elisabeth Irwin School, I can attest to the accuracy of Dina Hampton's account of what it was like to attend a radical, leftist greenwich village school.I felt there should have been more emphasis on the relationship between a privileged childhood and growing up believing in the name of a cause there were no limits,boundaries or repercussions. As probably the only Republican to have ever graduated from E.I. I found the extreme liberal left to be dogmatic and arrogant....this arrogance contributed to their belief they were above the law. Dina Hampton's book touches upon how this attribute was acquired by these three individuals....even Elliott Abrams' neo conservative leanings were marred by privilege and arrogance. At E.I. Students were taught idealistic goals and no limits as to the means of attaining these goals......These students learned there are limits in real life. I enjoyed reliving a chapter in my life and how much I gained from the exposure to people unlike myself.

1 of 3 people found the following review helpful.
interesting.
By Jane M. Doyle
Having grown up in that time and gone to that school and knew the characters portrayed, it is interesting to me. But, there are several inaccuracies I spotted + a lot of it is dry and dull from a story standpoint. I'm not sure how someone who knows nothing about that time or those people would be as interested as I. Still, it's probably a good starting point for anyone wanting to begin an investigation of those years.

3 of 7 people found the following review helpful.
Brings Me Down Memory Lane
By P. Golden
I attended E.I. so was immediately drawn to Hampton's book. It so brought me back to the day and stirred memories of people who were important in my life at the time.

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Minggu, 19 Januari 2014

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Of Planting and Planning: The making of British colonial cities (Planning, History and Environment Series), by Robert Home

‘At the centre of the world-economy, one always finds an exceptional state, strong, aggressive and privileged, dynamic, simultaneously feared and admired.’ - Fernand Braudel, Civilization and Capitalism, 15th–18th Centuries



This, surely, is an apt description of the British Empire at its zenith.


Of Planting and Planning explores how Britain used the formation of towns and cities as an instrument of colonial expansion and control throughout the Empire. Beginning with the seventeenth-century plantation of Ulster and ending with decolonization after the Second World War, Robert Home reveals how the British Empire gave rise to many of the biggest cities in the world and how colonial policy and planning had a profound impact on the form and functioning of those cities.



This second edition retains the thematic, chronological and interdisciplinary approach of the first, each chapter identifying a key element of colonial town planning. New material and illustrations have been added, incorporating the author's further research since the first edition. Most importantly, Of Planting and Planning remains the only book to cover the whole sweep of British colonial urbanism.


  • Sales Rank: #2230889 in eBooks
  • Published on: 2013-01-17
  • Released on: 2013-01-17
  • Format: Kindle eBook

About the Author
Robert Home is Professor of Land Management, Anglia Law School, Anglia Ruskin University, UK.

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