Rabu, 26 Februari 2014

** Get Free Ebook The Story of the Negro, by Booker T. Washington

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The Story of the Negro, by Booker T. Washington

The Story of the Negro is a history of Americans of African descent before and after slavery. Originally produced in two volumes, and published here for the first time in one paperback volume, the first part covers Africa and the history of slavery in the United States while the second part carries the history from the Civil War to the first part of the twentieth century. Booker T. Washington was born into slavery, worked menial jobs in order to acquire an education, and became the most important voice of African American interests beginning in the latter part of the nineteenth century.

The Story of the Negro is valuable in part because it is full of significant information taken from hundreds of obscure sources that would be nearly impossible to assemble today. For instance, Washington discusses the rise of African American comedy with names, places, and dates; elsewhere he traces the growth and spread of African American home ownership and independent businesses in the United States; and his discussion of slavery is informed by his own life. Washington wanted African Americans to understand and embrace their heritage, not be ashamed of it. He explains, as an example, the role of music in the lives of the slaves and then notes how, nearly a generation later, many African Americans were "embarrassed" by this music and did not want to learn traditional songs. Washington is able to reflect on the first fifty years of his life embracing a range of experiences from share-cropping to dinner at the White House. It is just this autobiographical element that makes the volume compelling.

Washington, with his indefatigable optimism, worked his entire life to achieve equality for African Americans through practical means. Founder of the first business association (the National Negro Business League), leader of the Tuskeegee Institute, where George Washington Carver conducted research, and supporter of numerous social programs designed to improve the welfare of African Americans, Washington was considered during his lifetime the spokesperson for African Americans by white society, particularly those in positions of power. This led to criticism from within the African American community, most notably from W. E. B. Du Bois, who considered Washington too accommodating of the white majority, but it took Washington's farsightedness to recognize that the immediate concerns of education, employment, and self-reflection were necessary to achieve the ultimate goal of racial equality.

  • Sales Rank: #2049989 in eBooks
  • Published on: 2011-06-03
  • Released on: 2011-06-03
  • Format: Kindle eBook

Review

"We wish this work might find the widest circulation."—The Nation

About the Author
Booker T. Washington was an African-American teacher, author, presidential advisor, and civil-rights leader. Born in Virginia in 1856, Washington was of the last generation born into slavery. After emancipation, Washington attended college in Virginia, and gained fame as a result of his 1895 speech about the importance of educating African Americans and his belief that African Americans were capable of great feats through education. Washington s contribution to educational equality was made greater by his influence in the social circles of millionaires and self-starters, and he was the first African American invited to the White House by President Theodore Roosevelt.

Booker T. Washington published five books with the aid of ghost writers, among them his first autobiography The Story of My Life and Work and his bestselling second biography Up from Slavery, which earned him his invite to the White House. Washington was also responsible for founding the National Negro Business League, which has, since 1966, been incorporated into Washington D.C. as the National Business League.

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1 of 1 people found the following review helpful.
A History of a People that has been hidden from US History books.
By AlabamaBabe
Amazing book, obviously well written given the author, but more importantly, a true, documented part of history of those who were sold into slavery from Africa that makes the history that I was taught in school equivalent to having learned from a comic book. The history, the cultures, the philosophies, the civilizations - yes, that is plural - in Africa from times prior to the era of slavery is captivating and truly enlightening. And the in depth explanations of the sociological, psychological, economic, educational environment of the slaves in this country and others and of the freed slaves in this country was truly worth the read. I definitely recommend - and have already recommended - this book to a anyone at all interested in the history of this country and particularly people of color - many of whom know the name Booker T Washington, but have most likely never heard of, nor read, this book.

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Selasa, 25 Februari 2014

? PDF Ebook Empire of the Sun, by J. G. Ballard

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Empire of the Sun, by J. G. Ballard

The classic, award-winning novel, made famous by Steven Spielberg's film, tells of a young boy's struggle to survive World War II in China.
Jim is separated from his parents in a world at war. To survive, he must find a strength greater than all the events that surround him.
Shanghai, 1941 -- a city aflame from the fateful torch of Pearl Harbor. In streets full of chaos and corpses, a young British boy searches in vain for his parents. Imprisoned in a Japanese concentration camp, he is witness to the fierce white flash of Nagasaki, as the bomb bellows the end of the war...and the dawn of a blighted world.
Ballard's enduring novel of war and deprivation, internment camps and death marches, and starvation and survival is an honest coming-of-age tale set in a world thrown utterly out of joint.

  • Sales Rank: #108060 in eBooks
  • Published on: 2013-03-19
  • Released on: 2013-03-19
  • Format: Kindle eBook

Review
"An outstanding novel...a classic adventure story."
-- The New York Times

"A profound and moving work of the imagination."
-- Los Angeles Times Book Review

"An incredible literary achievement....Brilliant."
-- Anthony Burgess

About the Author
J.G. Ballard is the author of numerous books, including Concrete Island, The Kindness of Women, and Crash. He is revered as one of the most important writers of fiction to address the consequences of twentieth-century technology. He lives in England.

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111 of 115 people found the following review helpful.
Humanity, stripped to its core
By C. E. Stevens
My first introduction to this story was, like many others, through Steven Spielberg's adaptation. For me, the hauntingly beautiful "Suo Gan" that serves as that movie's de facto theme song perfectly captures the fragile yet enduring beauty of humanity that Spielberg so successfully captures in his movie version. The movie abounds with poignant moments of hope, warmth, and exhilaration amongst the great struggles that befall Jim and his band of acquaintances. I enjoyed the movie, and Jim's story and haunting memory of Suo Gan made a lasting impression.

Years later, I encountered the original story--J.G. Ballard's novel that served as Spielberg's inspiration. Just as the newsreels and magazines that tell of the war fascinate Jim in the book because they describe a war so different than the one he knows, so does Spielberg's movie tell a different tale from Ballard's book. The events are by and large the same, but the tone of the story, the horrors experienced by Jim, and the lessons and impressions instilled by the novel are on a different order of magnitude from the movie. I enjoyed the movie on its own merits, but I imagine the order in which you encounter them colors your impression--for people like me who saw the movie first, it was easy to appreciate the movie, and then be blown away by the power of the book. For those who read the book first, I would imagine the movie would be a disappointing, sanitized version of the original work.

The novel overpowers the reader from start to finish by Ballard's stark account of Jim's survival against all odds, in conditions stacked heavily against him. Death, betrayal, illness, and hunger surround Jim and yet somehow he always managed to survive because he never despairs, never gives up, always keeps his wits about him, and as he himself explains, because he "takes nothing for granted." The world of WWII Shanghai strips humanity to its bare, naked, ugly core. Growing up in this environment, Jim becomes a remarkably complex character in spite of (or perhaps because of) his young age. Jim is intelligent, naive, loyal, callous, hopeful, curious, delusional, and yet oddly lucid--all at the same time. The image of flight is strong throughout the story, as a form of escape, and in some ways the only vestige of childhood granted to this boy as he goes through a life full of cruel ironies--first, the inability despite repeated attempts to surrender to an enemy that he needs infinitely more than they need him; then, the odd realization that this "enemy" is his greatest protector and in many instances, friend; finally, that even with the war over he is in greater danger and further from his parents than ever. War, peace, friend, foe, cause, effect, even the distinction between life and death ... these cease to have meaning for Jim. Finally, Jim is saved in an almost deus ex machina fashion by the heroic Dr. Ransome, a man whose selfless actions mildly amuse and baffle Jim, who cannot quite understand this brand of humanity which is quite different from the one he learned through his own experiences. Ransome's life is one that takes certain things for granted. Jim has not been afforded this luxury.

Jim's reunion with his parents is another, critical difference between the movie and the book. The "happily-ever after" ending in the movie is filled with hope and relief. Jim and his parents don't recognize each other at first. Then they do. This symbolizes that the war is finally over for Jim, now he can go back to a normal life. The End. In the book, however, the ending is much more nuanced. Despite returning "home" to Shanghai, Jim's home will forever be Lunghua in the novel version. Normalcy will never be a suburban life in England, for Jim it is wartime Shanghai. The odds of Jim being able to live what most of us would call a "normal life" are practically zero ... after all, he has just experienced a lifetime of events more "real" and vivid than "normal life" could ever be; the war never ends for Jim. Seeing the far-from-normal life Ballard himself has led, and the fiction he has written, one realizes that even though "Jim" and "J.G. Ballard" may not quite be the same person (one crucial difference--Ballard is never separated from his parents), Ballard is still the adult that Jim would have grown up to be. It is this honest and uncompromising portrayal of Jim as a true tragic hero that separates the book from the movie, and makes this book one of the truly great accounts of surviving a brutal war that knows and shows no mercy.

59 of 61 people found the following review helpful.
Survival amidst death
By Recogitare
A most incredible book... It holds the reader glued to every page, not unlike the grip of death which encased Shangai after the Japanese attack on Pearl Harbor in December of 1941.

The story, based on J.G. Ballard's actual experiences, is about a young British teenager who lives with his parents in Shangai at the eve of Pearl Harbor and is then interned by the Japanese from 1942-1945 in the Lunghua prison camp near Shanghai. It is truly mesmerizing, in the negative sense unfortunately, because of the countless moments of inherent evil that arose as a result of war. The places-airfield runways made of bones of dead Chinese, a make-shift cemetery full of corpses with extremities sticking out, canals full of dead bodies, floating flower coffins with Chinese babies-the people-an opportunistic American soldier who profits from death, Japanese soldiers bent on brutality, an American doctor who does everything to save the sick and dying, the indifference of a British woman to a sick boy-and events-the killing of a Chinese coolie, the never-ending deaths of sick prisoners, the death march to Nantao-exemplify that evil and are described with such incredible detail and clarity as to be almost permanently engraved in the mind of the reader.

Through all the death and destruction, of which almost every chapter of the book is filled with, lives a young British teenager (the author himself, but written in 3rd person) who has an incredible will to survive. The question of his morality is ever-present if we judge his thoughts and actions solely; yet in the face of starvation and omnipresent death, his story is one of a smart young boy who is trying his best to survive. When viewed under those circumstances and compared to the actions of others in the book, his story can be perceived in a more positive yet still overwhelmingly sad light. Indeed, it is the author's reconstruction of his thoughts in particular that divulge the horror of the events he experienced. One of the most memorable concerns the death march to Nantao:

"Dr. Ransome had recruited a human chain from the men sitting on the embankment below the trucks, and they passed pails of water up to the patients.

Jim shook his head, puzzled by all this effort. Obviously they were being taken up-country so that the Japanese could kill them without being seen by the American pilots. Jim listened to the Shell man's wife crying in the yellow grass. The sunlight charged the air above the canal, an intense aura of hunger that stung his retinas and remind him of the halo formed by the exploding Mustang. The burning body of the American pilot had quickened the dead land. It would be for the best if they all died; it would bring their lives to an end that had been implicit ever since the Idzumo had sunk the Petrel and the British hand surrendered at Singapore without a fight.

Perhaps they were already dead. Jim lay back and tried to count the motes of light. This simple truth was known to every Chinese from birth. Once the British internees had accepted it, they would no longer fear their journey to the killing ground...."

Steven Spielberg's adaptation of the book in the 1986 movie of the same name is insufficient at best. While the cinematography and acting are good, the crux of the story-the cruelty and horrors of post-Pearl Harbor Shangai-is conveniently glossed over. It's as if Spielberg decided to change the script from an "R" to a "G". The problem is that the latter version of the movie no longer resembles the former and effectively does injustice to the thousands of people (and millions more not included in the scope of the book)-including the author himself-who suffered and/or died in Lunghua prison and Shangai from 1942-1945 at the hands of the Japanese.

65 of 68 people found the following review helpful.
Not what you expect
By Michael Battaglia
This is an account of JG Ballard's childhood in Shanghai during World War II when he was imprisoned in an internment camp away from his parents but just knowing that alone tells you nothing about the book. Yes, it takes place in WWII but that's almost irrelevant to the book, Jim is barely aware of the war as far as most people would conceive it and the entire war seems to take place mostly on the periphery . . . if it doesn't affect him directly than he doesn't care. On one level this is a nicely detailed account of life in Shanghai, especially in the beginning. Ballard is a good enough writer that he can describe such mundane events with enough flair that they take on another ambiance entirely. This becomes more pronounced as Jim winds deeper into the war itself, with the book becoming almost dream like in its quality. A lot of people I think object to the actions of Jim, which are very much what we don't expect. He's fairly self centered and makes a lot of weird rationalizations but I had no trouble understanding his POV, even if I didn't totally agree with it. He's a kid caught in something he can barely understand, so he has to break it down into something he can understand and sometimes that means making it a game and sometimes that means doing some things that most of us would interpret as cruel. That was the most interesting part of the novel for me, watching Jim trying to cope with the events around him, deal with the fact that he can barely remember his parents, with the fact that the only life he can really remember after a while are in the camp itself. With everything filtered through his perceptions the reader has to evaluate for him or herself what exactly the truth is . . . Jim's perception of some characters can change over and over, or maybe not even agree with what the character is doing, but that's because he's looking at it through the eyes of a child and by way of Jim, so is the reader as well. The white flash of the atom bomb that comes toward the end isn't even a climax, it's just another strange event in a war where everything strange is normal and for Jim it doesn't even signify the end of the war, for him the war never really seems to end. Haunting in its grim depiction of reality, this stands as one of the better books to come out about WWII simply for its personal perspective.

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>> Ebook Beyond the Good Death: The Anthropology of Modern Dying, by James W. Green

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Beyond the Good Death: The Anthropology of Modern Dying, by James W. Green

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Beyond the Good Death: The Anthropology of Modern Dying, by James W. Green

In November 1998, millions of television viewers watched as Thomas Youk died. Suffering from the late stages of Lou Gehrig's disease, Youk had called upon infamous Michigan pathologist Dr. Jack Kevorkian to help end his life on his own terms. After delivering the videotape to 60 Minutes, Kevorkian was arrested and convicted of manslaughter, despite the fact that Youk's family firmly believed that the ending of his life qualified as a good death.

Death is political, as the controversies surrounding Jack Kevorkian and, more recently, Terri Schiavo have shown. While death is a natural event, modern end-of-life experiences are shaped by new medical, demographic, and cultural trends. People who are dying are kept alive, sometimes against their will or the will of their family, with powerful medications, machines, and "heroic measures." Current research on end-of-life issues is substantial, involving many fields. Beyond the Good Death takes an anthropological approach, examining the changes in our concept of death over the last several decades. As author James W. Green determines, the attitudes of today's baby boomers differ greatly from those of their parents and grandparents, who spoke politely and in hushed voices of those who had "passed away." Dr. Elisabeth Kübler-Ross, in the 1960s, gave the public a new language for speaking openly about death with her "five steps of dying." If we talked more about death, she emphasized, it would become less fearful for everyone.

The term "good death" reentered the public consciousness as narratives of AIDS, cancer, and other chronic diseases were featured on talk shows and in popular books such as the best-selling Tuesdays with Morrie. Green looks at a number of contemporary secular American death practices that are still informed by an ancient religious ethos. Most important, Beyond the Good Death provides an interpretation of the ways in which Americans react when death is at hand for themselves or for those they care about.

  • Sales Rank: #988026 in eBooks
  • Published on: 2012-03-15
  • Released on: 2012-03-15
  • Format: Kindle eBook

Review

"This book in my opinion is what an academic work should aim to be—accessible and intellectually appealing—while making good use of relevant contemporary examples."—Ageing and Society



"Using an anthropological approach, Green explores the changes in the US concepts of death and practices of dying in the last several decades. Drawing on a variety of sources, he examines modern-day care for the dying, modes of disposing of the corpse, near-death experience accounts and beliefs about the afterlife, presentation of death in children's literature, and ways of memorializing the deceased. . . . Highly recommended."—Choice



"I recommend this book to all who have an academic or clinical interest in thanatology as a must-read current synthesis of the state of the art in our field."—psycCritiques



"Fascinating. . . . Green strikes just the right tone in his treatment of some especially sensitive topics. He is always respectful, with an irreverent sense of humor that does not offend."—Journal of the American Medical Association

About the Author
James W. Green teaches anthropology at the University of Washington in Seattle and is author of Cultural Awareness in the Human Services: A Multi-Ethnic Approach.

Most helpful customer reviews

3 of 4 people found the following review helpful.
This book reads more like an academic work.
By Donna
The topic of this book is very relevant in light of todays health care changes and its impact on death and dying, especially when a large number of our population (baby boomers) are fast approaching the possibility of long term illness and the certainty of death. Unfortunately this book reads like an academic work heavy with annotations and citing of other author's works, which I would expect to find in a medical journal article. If this book were on my college reading list I would plough through it with heavy highlighting to be sure I didn't miss the relevant points. I am well out of college, I am not an academic, I work full time and have a family and although I do not want to be spoon feed information on any topic I would have liked to have read Green's own observations fully aware that they were sometimes based on other people work.

3 of 4 people found the following review helpful.
Beyond the Good Death
By crowdog
James Green has written a very thought provoking anthropology of death and dying
in modern America (and other places). His research includes just about every detail of death from
how we choose to die, how we bury our dead, and our beliefs about the afterlife
and the controversies surrounding them. Well presented, and easy to read, his narrative
flows easily from subject to subject leaving no stone unturned. A must read for anyone
interested in this subject whether you are a professional or just someone who wants
their eyes opened a little more.

Jody Dark Eagle Breedlove

0 of 1 people found the following review helpful.
Absolutely no complaints.
By Kelsey
This book is such a great, great read. I was assigned it for class and luckily it was well worth the time. The book arrived earlier than it was estimated which was nice and it was in mint condition.

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! Free PDF The Anti 9 to 5 Guide: Practical Career Advice for Women Who Think Outside the Cube, by Michelle Goodman

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The Anti 9 to 5 Guide: Practical Career Advice for Women Who Think Outside the Cube, by Michelle Goodman

Today, lots of women would love to integrate their passion with their career and are seeking advice on how to do just that. Michelle Goodman, a self proclaimed, "wage-slave" has written a fun, reassuring, girlfriend-to-girlfriend guide on identifying your passion, transitioning out of that unfulfilling job, and doing it all in a smart, practical way. The Anti 9-to-5 Guide realizes that not every woman wants the corner office, in fact, some women don't want to be in an office at all. Today's women are non-traditionalists, do it yourself sort of girls who want to travel the world, take up knitting, frolic in the land of freelancing but want to do it all without going broke. The Anti 9-to-5 Guide provides readers with the resources you need to have it all and still have a place to sleep. Michelle suggests great tips for easing into the life you want. With an entire chapter devoted to pursuing your passion on the side, The Anti 9-to-5 Guide encourages us to tweak our current career path or head down a new one, and ultimately succeed.

  • Sales Rank: #324890 in eBooks
  • Published on: 2010-01-08
  • Released on: 2010-01-08
  • Format: Kindle eBook

From Publishers Weekly
Snappy and practical, this guide to quitting your job at the "e-mail-saturated, meeting-happy cube farm" will prove indispensable to any young professional itching to strike out on her own. Goodman, a successful freelance writer, aims her book at women between 25 and 35, but young men will likely find her advice (always send a thank you note after an informational interview; play it cool if you snort coffee out your nose) just as relevant. From "sussing out the gigs" to guidance on taxes and health insurance to battling "the inertia that binds one's derriere to the sofa like a tongue to a frozen flagpole," Goodman covers all the aspects of going solo. A "Show Me the Money" section at the end of each chapter gives readers money-saving tips (eat all the food in your fridge before it "liquefies or grows spores"), and checklists covering steps readers must take before becoming self-employed. Goodman's advice is applicable to a broad range of careers, though the non-profit and international travel chapters are useful primarily for pointing to other, more in-depth sources. Goodman's tone is realistic-taking into account the obstacles facing a generation burdened early by debt-but she retains a sense of humor, making this information-dense guide an encouraging, buoyant lifesaver.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In a practical guide for young women who are ready to abandon their cubicles and carve out their own dreams, Goodman offers tools and tips for joining the DIY career club. Echoing many career-advice books, Goodman focuses on defining what your passion is and then mapping out a series of transition plans to get from cubicle to dream job. The book is most appropriate for women early in their careers who have not invested much time or energy on a serious career path. Her recommendations for freelancing, temping, part-time work, and lots of career exploration speak to a woman who has not yet found her calling. How-to sections on networking, deciding about additional schooling, resume preparation, and information interviewing are most appropriate for the younger worker still figuring out her career path. Gail Whitcomb
Copyright © American Library Association. All rights reserved

Review
...a witty-yet-practical look at what to do if you hit the snooze button repeatedly every workday morning or want to dump a boss who acts like `The Office's' big kahuna. -- The Washington Post

Ever fantasized about life sans hellish boss and boring staff meetings? Michelle Goodman's book can help you make the great escape. Whether you want to break into your dream industry as a freelancer or start your own business, The Anti 9-to-5 Guide is a handy desk resource for women whose ambitions run the gamut... -- Bust Magazine

Ms. Goodman delivers vivid stories and solid advice in a tone that is lighthearted, hip and funny, with a sprinkling of activism about the rights of part-time workers. -- The New York Times

Most helpful customer reviews

36 of 37 people found the following review helpful.
Practical and packed with personality
By Dr. Cathy Goodwin
Goodman has created a helpful guide, extremely well-written with frankness and humor. She takes readers through the steps of feeling frustrated with life in a cube to considering alternative escape routes. Of course her own story will inspire readers, as she herself went from cube to freelance status, while managing to live comfortably and even make mortgage payments.

The best part of the book is the section on living the freelance life. She gives down-to-earth advice on organizing the ridiculous amount of paperwork that goes with the freelance life. (I got some good ideas I can use right awway!)

I also liked the section on interviewing for information. She's listed steps from dazzle (write a nice simple request) to prepare to saying thanks. I couldn't agree more.

Additionally, Goodman has some excellent resources in the back of the book. Any career-changer would benefit from readings the books she recommends.

This book will be most helpful to thirty-somethings - those who have worked for five to ten years and are now asking, "How can I express my creativity in the world?" The Anti Guide makes a great companion to a book that's similarly targeted, This Time I Dance, by Tama Kieves. Kieves focused more on the emotional and psychological elements,while Goodman deals with practical implementation.

My own career clients tend to be 45-60. While they'd benefit from some elements of this book, I find that senior executives and experiened professionals need to choose different networking approaches.

I have just three quibbles about the book's content.

First, career consultants often encourage clients to shadow someone who's in a career they're considering. I would rather encourage my own clients to talk to half a dozen or more people in a field to get a broader perspective. I wouldn't give up on a field based on a single shadowing day and I'd investigate further if a day appeared to be a "wow."

Second, Goodman recommends creating a website if you're a writer - and I agree completely. But you need to create a money-making website, which calls for copy as well as design. It's not reasonable to expect a whole treatise on the subject but I'd have liked to see some links to sources that can help.

Finally, I agree with Goodman that readers should be cautious before hiring a career coach or consultant. Again, I believe this advice makes moreo sense for the younger reader.

Goodman encourages readers to talk to HR departments and experts in fields of interest. My own experience is that getting through to an information source requires a referral and HR folks are in the business of recruiting and screening.

These days, you should expect to pay for mentors, especially if you're going off on your own. You might take a continuing ed class at the low end or hire a consultant at the high end, but you pay. I agree with the advice to buy an hour at a time and avoid long, expensive commitmentes. But thes packages work for some clients.

In summary, Goodman's book makes an excellent contribution to the field. And the writing is so good, it's a fun read for anyone.

9 of 9 people found the following review helpful.
Yes, to kicking the 9 to 5 habit!
By Mint Julep Recs
I found this book at just the right time. I was beginning to give up on my dream of leaving my job, and doing something that I really love. People change. (How can we expect to stay in the same job we chose in our early 20's?) I began reading the book and doing the suggested exercises. I have to say that I had more in common with the way the author wrote, than other "follow your dream" books. Right when I would begin to doubt my plan, the author, Michelle Goodman had an answer! Thank you for a great book, with great topics! If you are aching to live a purposeful life and your current job is not part of that purpose, check out this book. Find out how you can begin living your dream today!

6 of 6 people found the following review helpful.
sing-songy tapdance through the issues
By Bonnie V 1210
Lots and lots of helpful info for newbies and oldies like me, making their way back to freelance living, after falling off the wagon for corporate America's perceived charms (like regular paychecks). The best of reading this book was getting up to date networking ideas, legitimizing spending part of your work life doing something "safer", for example, working half-time in a "cube farm." I have not only come to appreciate that mind-numbingly boring part of my work week more, but also to take secret pleasure in watching others suffer, that is, those who have yet to reach (look toward reaching) the higher plain on which I now live--with plenty of time for my creative side business. And the bills do get paid.

The worst of reading this book was the sing-song-y, forced hip talk that does make for faster reading, if you know what she's talking about, without constantly having to stop and think about it. True, this book is clearly aimed at 20 and 30 somethings, so this old goat just had to plod along at times--often very tiring. Also not all the advice is all that appropriate to the older set, but then we're wise enough to adapt what we can and disregard the rest.

So overall a good read, full of helpful ideas and tips. Recommended.

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Kamis, 20 Februari 2014

!! Fee Download Greyfriars Bobby, by Eleanor Atkinson

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Greyfriars Bobby, by Eleanor Atkinson

Charming story about a loyal Skye terrier who waited for his owner

  • Sales Rank: #1910405 in eBooks
  • Published on: 2013-02-11
  • Released on: 2013-02-11
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
a charming tale
By Wayne S. Walker
The story begins in 1858 when Bobby is a young, slate gray, Highland Skye terrier who lives on a sheep farm in the Pentland Hills outside of Edinburgh, Scotland. He claims as his master an old shepherd named John Gray, age 63, generally known simply as Auld Jock, although the dog actually is owned by the tenant of Cauldbrae farm where the shepherd works. That winter the farmer has to let Auld Jock go for lack of work, and the elderly shepherd rents a room in Edinburgh. Bobby runs away from the farm to be with Jock, is returned to the farm, runs back to the ailing shepherd, and is with him when he dies of heart failure and pneumonia. Auld Jock is buried in Greyfriars Kirk cemetery, and Bobby goes back to the farm.

However, the little dog returns again to the graveyard to watch over his master’s grave and, even though animals are not supposed to be permitted in the cemetery, is allowed to remain for the next eight years. He is providied for by the cemetery caretaker, Mr. Brown, and his wife; a local dining room owner, Mr. Traille; and some of the children who live in the tenements near Greyfriars Kirk. However, a local policeman wants to take Bobby away because he has no collar. Then the terrier escapes and follows a regiment on a march into the surrounding hills. What will happen to Bobby? Will he be able to return? This is a charming tale that is based on fact, and a life-size stature of Bobby still stands in Edinburgh to commemorate his devotion and loyalty. Several men are said to smoke pipes, but there is no bad language or any other major objections.

Eleanor Stackhouse Atkinson (1863–1942) was an American author, journalist, and teacher. She was born Eleanor Stackhouse in Rensselaer, IN, and later married Francis Blake Atkinson, himself also an author. A teacher in schools in both Indianapolis, IN, and Chicago, IL, she also wrote for the Chicago Tribune under the pseudonym “Nora Marks” during the late 1890s, and later became publisher of the Little Chronicle Publishing Company, Chicago, which published several of her own works, along with other educational books and the Little Chronicle, an illustrated newspaper intended for young children. Whilst she wrote both fiction and non-fiction, the former mostly romances and the latter mostly educational books, she is best known for her 1912 novel Greyfriars Bobby, which was the basis for the film Greyfriars Bobby: The True Story of a Dog by Disney in 1961. The biggest complaint about the book is the difficulty of the dialogue with its Scottish spellings, and it is also true that the plot moves rather slowly at times, but it is well worth the effort.

0 of 0 people found the following review helpful.
For dog-loving readers
By Sarah the book reviewer
Well, I'm a sucker for animal stories anyway and set in Scotland, there's no way to go wrong. This is a charming story of the steadfast heart of Skye Terrier, who won't forsake his "human" even after the human dies. The storytelling is dated for modern readers, but I still think they'll enjoy it. Especially if they like to figure out different languages. The book is written in English, but with a strong Scots Gaelic brogue. Enjoy.

0 of 0 people found the following review helpful.
A nice book, but a bit hard to read
By Fluffytoy lover
This was a nice book, but it was a bit hard to read because of the Scottish spellings throughout. I wouldn't recommend this book to a first-time novel reader

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Selasa, 18 Februari 2014

## Get Free Ebook Divine Art, Infernal Machine: The Reception of Printing in the West from First Impressions to the Sense of an Ending (Material Texts)By

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Divine Art, Infernal Machine: The Reception of Printing in the West from First Impressions to the Sense of an Ending (Material Texts)By

There is a longstanding confusion of Johann Fust, Gutenberg's one-time business partner, with the notorious Doctor Faustus. The association is not surprising to Elizabeth L. Eisenstein, for from its very early days the printing press was viewed by some as black magic. For the most part, however, it was welcomed as a "divine art" by Western churchmen and statesmen. Sixteenth-century Lutherans hailed it for emancipating Germans from papal rule, and seventeenth-century English radicals viewed it as a weapon against bishops and kings. While an early colonial governor of Virginia thanked God for the absence of printing in his colony, a century later, revolutionaries on both sides of the Atlantic paid tribute to Gutenberg for setting in motion an irreversible movement that undermined the rule of priests and kings. Yet scholars continued to praise printing as a peaceful art. They celebrated the advancement of learning while expressing concern about information overload.

In Divine Art, Infernal Machine, Eisenstein, author of the hugely influential The Printing Press as an Agent of Change, has written a magisterial and highly readable account of five centuries of ambivalent attitudes toward printing and printers. Once again, she makes a compelling case for the ways in which technological developments and cultural shifts are intimately related. Always keeping an eye on the present, she recalls how, in the nineteenth century, the steam press was seen both as a giant engine of progress and as signaling the end of a golden age. Predictions that the newspaper would supersede the book proved to be false, and Eisenstein is equally skeptical of pronouncements of the supersession of print by the digital.

The use of print has always entailed ambivalence about serving the muses as opposed to profiting from the marketing of commodities. Somewhat newer is the tension between the perceived need to preserve an ever-increasing mass of texts against the very real space and resource constraints of bricks-and-mortar libraries. Whatever the multimedia future may hold, Eisenstein notes, our attitudes toward print will never be monolithic. For now, however, reports of its death are greatly exaggerated.

  • Sales Rank: #893206 in eBooks
  • Published on: 2011-01-21
  • Released on: 2011-01-21
  • Format: Kindle eBook

Review

"Eisenstein's research is impressive, reaching far and wide across languages and centuries. Her knowledge of the history of publication engages the wealth of recent scholarship and extends as far back as Roman copyists. . . . Her breadth enables her to identify topoi and their mutations; to observe long-term trends, diminishing ripples, and delayed reactions; and to distinguish what is new or newly dressed in authors' concerns and readers' complaints."—Journal of Scholarly Publishing

About the Author
Elizabeth L. Eisenstein is Professor Emerita of History at the University of Michigan. In addition to The Printing Press as an Agent of Change, her books include its abridgment, The Printing Revolution in Early Modern Europe, and Grub Street Abroad: Aspects of the French Cosmopolitan Press from the Age of Louis XIV to the French Revolution.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Eisenstein as Gutenburg
By Bill
You may know that Socrates has his doubts about writing in any form, just as people today worry about the young and the iPads and smartphones. Quite a while later, Gutenburg and partner got into the new-famgled technology called printing. As Eisenstein makes very clear, this new way of spreading knowledge seemed incomprehensible to many and was sometimes assumed to be a ploy by the Devil to ruin us. I highly recommend this book to try to get a picture of where we have been on this Earthly journey.

1 of 5 people found the following review helpful.
A new insight
By me3p
I found the divine art to be completely different to my expectations, I have already read a lot into Guternberg's history and the rise of the printing press however this book although relatively short offered a completely new insight for me.

I also enjoyed the section on looking into the future for print and I was glad to read that for now it has a strong position in media and new markets.

I would advise this book to anyone wanting to expand on their knowledge of Gutenberg and the development of printing and the printing press.

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During the era of the Atlantic slave trade, vibrant port cities became home to thousands of Africans in transit. Free and enslaved blacks alike crafted the necessary materials to support transoceanic commerce and labored as stevedores, carters, sex workers, and boarding-house keepers. Even though Africans continued to be exchanged as chattel, urban frontiers allowed a number of enslaved blacks to negotiate the right to hire out their own time, often greatly enhancing their autonomy within the Atlantic commercial system.

In The Black Urban Atlantic in the Age of the Slave Trade, eleven original essays by leading scholars from the United States, Europe, and Latin America chronicle the black experience in Atlantic ports, providing a rich and diverse portrait of the ways in which Africans experienced urban life during the era of plantation slavery. Describing life in Portugal, Brazil, Mexico, the Caribbean, and Africa, this volume illuminates the historical identity, agency, and autonomy of the African experience as well as the crucial role Atlantic cities played in the formation of diasporic cultures. By shifting focus away from plantations, this volume poses new questions about the nature of slavery in the sixteenth to nineteenth centuries, illustrating early modern urban spaces as multiethnic sites of social connectivity, cultural incubation, and political negotiation.

Contributors: Trevor Burnard, Mariza de Carvalho Soares, Matt D. Childs, Kevin Dawson, Roquinaldo Ferreira, David Geggus, Jane Landers, Robin Law, David Northrup, João José Reis, James H. Sweet, Nicole von Germeten.

  • Sales Rank: #2081344 in eBooks
  • Published on: 2013-07-03
  • Released on: 2013-07-03
  • Format: Kindle eBook

Review

"A timely and important collection of essays on a subject of vital interest to historians of the early modern Atlantic world. By decisively moving away from an earlier generation of scholars who seemed to see slavery and urban life as incompatible, this substantial and original volume makes a major contribution to the ways in which we study Atlantic history and the African diaspora."—Vincent Brown, Harvard University

About the Author
Jorge Canizares-Esguerra is Alice Drysdale Sheffield Professor of History at the University of Texas, Austin, and author of several books, including How to Write the History of the New World: Histories, Epistemologies, and Identities in the Eighteenth-Century Atlantic World. Matt D. Childs is Associate Professor of History at the University of South Carolina and author of The 1812 Aponte Rebellion in Cuba and the Struggle Against Atlantic Slavery. James Sidbury is Andrew W. Mellon Distinguished Professor of Humanities at Rice University and author of Becoming African in America: Race and Nation in the Early Black Atlantic.

Excerpt. © Reprinted by permission. All rights reserved.

Introduction
Jorge Cañizares-Esguerra, Matt D. Childs, and James Sidbury

In 1763 a young enslaved man who went by the name Gustavus Vassa went to sea in the British Caribbean. Like most sailors, he soon began to engage in petty commerce to make a bit of money. Over the next four years he built up his small savings by transporting goods from one island port and selling them in another. Around 1767 he invested all of his savings in limes and oranges that he took on a voyage to Santa Cruz (present-day Saint Croix). When the ship arrived in port, probably at Frederiksted, he and a friend lit out for the city to sell their fruit. Almost immediately "two white men" stopped them and openly stole their three bags of fruit. The two young slaves pleaded for the return of their trade goods, but the robbers "not only refused to return" the citrus, they cursed their two victims and threatened "to flog" them as well if they did not leave them alone. Thus, at the "very minute of gaining more by three times than" he had ever had "by any venture" in his "life before," the young enslaved petty merchants was "deprived of every farthing" he "was worth." Port cities created opportunities for enslaved Africans, but they also held dangers.

Olaudah Equiano, or Gustavus Vassa, the African, lived an amazing life in the Black Atlantic. According to his 1789 autobiography, The Interesting Narrative of Olaudah Equiano, or Gustavus Vassa, the African. Written by Himself, he was born in 1745 in a small Igbo village called Essaka. Kidnapped as a young boy, he was sold into American slavery. More fortunate than most victims of the slave trade, he ultimately won his freedom and became an antislavery advocate and author. His account of enslavement, the Middle Passage, his life as a slave, and his careers as a free man offers the most powerful first-person account of eighteenth-century slavery to be found in English. Not surprisingly, scholars of eighteenth-century race and slavery use it in discussions of almost every aspect of eighteenth-century black life in the English-speaking world.

And why not? Equiano/Vassa's story lives up to its title—it is, indeed, an "Interesting Narrative." He offers chilling descriptions of being snatched from Essaka with his sister, of being separated from her while traveling to the African coast, and of being purchased by slavers and shipped to America. Once in the New World he was sold to a Virginian and then to a ship captain, after which he traveled throughout the Caribbean, North America, and Europe, going as far east as Smyrna in the Ottoman Empire. He fought on a Royal Navy man-of-war alongside his owner during the Seven Years War. He converted to Christianity in England. Sold back to America, he worked and made money for his owner while engaging in petty commerce on his own account. Finally, despite numerous efforts by whites to defraud him like the one on Santa Cruz, he saved enough to buy his freedom. As a free man he worked as a sailor, a barber and personal servant, and as an overseer. By the time he decided to write his autobiography, he had lived a life well worth telling, a life many would and did want to purchase as text. His Interesting Narrative was a best seller.

That broad range of experience also helps explain the Narrative's appeal to scholars. Equiano/Vassa went so many places, he interacted with whites and blacks throughout so much of Britain's Atlantic empire, he recounted so many fascinating stories that his autobiography can seem like a gold mine for people searching for all-too-rare points of entry into the ways that slaves understood their world. Of course that very variety of experience raises questions about how to use evidence from the text. No one has ever pretended that Equiano/Vassa's life as a slave resembled that of most victims of the Atlantic trade, but relatively little attention has been paid to the prominence of cities in his story.

Though he spent a few weeks as a slave in rural Virginia, and a few months as an overseer on the Mosquito Coast of present-day Nicaragua, he reported precious little experience on plantations, the institution that dominated the lives of most American slaves. Instead, most of his time was spent either in ports or on ships sailing between ports. He tells stories of his time in London and of visits to ports in France, Portugal, and Spain. The list of American cities he spent time in is almost too long to list: Basseterre (St. Kitts), Charleston (South Carolina), Kingston (Jamaica), New Providence (the Bahamas), Philadelphia (Pennsylvania), Plymouth (Montserrat), and St. Pierre (Martinique). Equiano/Vassa's Interesting Narrative reveals a network of black sailors, craftsmen, stevedores, and laborers who worked in the port cities of the Atlantic World, providing much of the labor and expertise that lubricated Atlantic commerce.

While no one would suggest that cities should replace the plantation as the primary site for making sense of Atlantic slavery, the essays in this volume, when read together, make a strong case that we need to pay much more attention than we have to the black urban Atlantic that played such a central role in Equiano/Vassa's life. While the Interesting Narrative provides occasional glimpses of enslaved Africans and people of African descent working, and playing, and worshipping, and suffering brutal exploitation, these essays look in much more concentrated ways at the texture of black urban life in Atlantic cities. This collection provides a series of detailed case studies of black life in different Atlantic ports—one in Europe, three in Africa, two in Brazil, two on the Spanish American mainland, and three in the Caribbean—as well as an essay discussing slave pilots who worked Atlantic ports. By placing the activities that Equiano saw throughout the Atlantic within their specific urban contexts, these studies provide a rich and diverse sample of the ways Africans and African-descended people experienced urban life during the era of plantation slavery. The essays center collectively on the eighteenth century, though they range from the sixteenth to the nineteenth. Together they reinforce and enlarge upon a point that David Northrup makes in his contribution to this volume when he points out that the historiographies of African slaving ports and American slave-importing points not only are asking some of the same questions, but also are beginning to reach similar conclusions about the nature of cultural adaptation and change among the victims of the Atlantic slave trade. That is not to say that blacks throughout the urban Atlantic experienced the social and cultural upheaval of slaving in the same way. It is to say, however, that the essays in this volume fit with much of the new literature on the Black Atlantic in suggesting new directions in our understandings of the cultures of the African diaspora. Over the past decade it has become apparent that long-standing debates about creolization and African cultural survival must give way to more flexible understandings of cultural change and persistence.

Especially after the middle of the seventeenth century people of African birth or descent became increasingly numerous residents of British, Dutch, French, Spanish, and Portuguese port cities and of American ports, even those that served nonplantation hinterlands. They became or remained demographically dominant in African ports and in the towns and cities of the plantation Americas. This was in part, but only in part, because free and enslaved blacks became increasingly important maritime workers, so Atlantic ports included uncertain but significant numbers of transient black sailors enjoying shore leave while the ships on which they served loaded and unloaded cargoes. In addition, blacks worked in domestic service, in the many crafts necessary to support transoceanic commerce (blacksmithing, sail making, carpentry and other woodworking, etc.), and in the nonartisanal work that took place around docks, where they served as stevedores, carters, sex workers, boarding house keepers, and day laborers. Many slaves in the urban Black Atlantic negotiated the right to hire their own time, enhancing their autonomy and winning the right to participate in the Atlantic commercial system, often acting as agents on their masters' behalf in addition to marketing some of their own goods and services. Self-hired slaves had a much better chance of acquiring sufficient money to purchase their freedom, though opportunities for manumission varied in different imperial legal regimes. Africans did not come to dominate artisanal and day labor positions in all cities, though they dominated them in some, but they established an urban presence throughout the Atlantic World.

This collection of essays brings out the stark contrasts but also commonalities that marked the urban Black Atlantic during the early modern period. In terms of contrasts, the African merchants and others born in Ouidah and Luanda covered in chapters by Robin Law and Roquinaldo Ferreira lived there by choice. Some of these merchants traveled back and forth across the Atlantic—especially the South Atlantic—choosing to live in Brazil or Portugal at various times. Others sent children to be educated in England, France, or Brazil. Less wealthy free people of African descent—sailors and craftsmen who lived outside of Africa—also exerted some control over where they lived, though their choices were certainly more constrained than those of wealthy African merchants. But the vast majority of Africans living in European or American ports had been involuntarily drawn into those urban centers either directly or indirectly by the transatlantic slave trade that from the fifteenth to the nineteenth century transported eleven million enslaved Africans throughout the Black Atlantic. Many of the black people living in eighteenth-century Lisbon or London, in Kingston or Le Cap, in Rio or Bahia, but also in Ouidah and Luanda, were victims of slaving. Like most people living in the early modern Atlantic, they had grown up in villages with profoundly local conceptions of identity, but they had been yanked out of them and thrust into a frightening new urban milieu.

In this regard their experiences were not different in kind from those of the majority of victims of the Atlantic trade who ended up on plantations, but the urban setting made a difference. First, in most Atlantic cities, enslaved Africans found themselves in black communities that dwarfed even very large plantations. As James Sweet points out, slaves did not constitute a large percentage of eighteenth-century Lisbon's nearly two hundred thousand people, but the city was home to some ten thousand enslaved Africans. Of course Lisbon was a very large city, but the much smaller Kingston, Jamaica, held roughly seventeen thousand slaves among its almost twenty-seven thousand people in 1788, and Saint Domingue's modest Le Cap in the 1780s was home to about ten thousand slaves (out of a population of fifteen thousand). Even towns serving peripheral plantation hinterlands included sizable enslaved populations: seventeenth-century Cartagena had between three and four thousand enslaved residents (compared to twenty-five hundred whites), and the tiny and newly founded fall line port of Richmond, Virginia, with fewer than fifteen hundred total residents in 1784, was home to more than six hundred slaves. When one remembers that these were geographically constrained eighteenth-century walking cities, it becomes apparent that notwithstanding the relative absence of large individual urban slaveholders or specifically demarcated slave quarters, urban slave communities were substantially larger than plantation communities.

Did the size of Black Atlantic cities matter? It did in a number of ways, and the authors to this volume have studied in detail some of the locations that would be classified as "capitals" of the Black Atlantic for the size of their enslaved and free populations. As is clear in the case studies that follow, cities afforded those victimized by slaving in Africa and slavery in the Americas the opportunity to overcome the dislocation caused by enslavement and coerced migration by creating new communities. Some communities defined themselves through claims to shared places of African origin, in some cases to quite specific places and in others to a single slaving port or language group. Some communities defined themselves through shared religious belief. Some through shared occupations, or shared commitments to collective responsibility for medical and burial costs. The bigger the city, the larger its population of African and African-descended people, the more regular and the more reciprocal its connection with ports on the other side of the Atlantic, the deeper the well of cultural resources available to dislocated slaves in the city seeking to find or forge a new community within which to embed themselves. Urban centers from Luanda, Freetown, Ouidah, and Lisbon, to Rio and Bahia, to Kingston, Havana, and Le Cap, to Cartagena and Mexico City all offered what modern Westerners value as cosmopolitanism—urban settings in which different mixes of African, American, and European peoples lived side by side.

This forceful mix of involuntary African migrants enslaved by European colonial powers produced examples of syncretic cultures that are often celebrated today as examples of globalization and transnationalism. However, one must not be lulled by the similarity to qualities valued in twenty-first-century Western culture into thinking that "cosmopolitanism" was a welcome thing. Catholic brotherhoods with explicit ties to a single African ethnic group welcomed others to their celebrations and sometimes looked beyond their ethnic "kin" for members and beliefs. Africans of various backgrounds who lived in Lisbon turned to bolsas de mandinga in order to ward off dangerous forces. The Atlantic slave trade ripped men and women out of their local cultures, leaving them to coalesce as best they could and create new communities that would give meaning to their existence. The African urban Atlantic was a world of forced cosmopolitanism and desperate cultural adaptation. Blacks in these cities did not choose cosmopolitan ways of life or values, and the processes through which they developed them exacted brutal and inhumane costs. Those involuntarily swept into the black urban Atlantic responded creatively to those costs in ways that continue to enrich the myriad synthetic cultures of the Atlantic basin today.

Cultural Change in the Urban Black Atlantic

The chapters in this volume shed light on some of the common dynamics that influenced these processes. First, they show time and again that however absolute a master's legal power over a slave might have been—and that, of course, varied in different slave regimes—in actual eighteenth-century cities in which the goal of slave owners was to benefit from slaves' labor, domination came through negotiation coupled with brute force. To be sure the parties to these negotiations brought very different resources to the table, and masters never relinquished the threat of violence or the threat to sell recalcitrant bondsmen away from the relative liberty of the city. But urban economies required skilled workers, and they rewarded those who were responsive enough to markets to reallocate labor as needed. As noted earlier, many masters responded by putting the onus on their slaves by allowing them to hire their own time and find their own work. If this was a good bargain for urban slaveholders, and it certainly was, it also provided opportunities for urban slaves' desperate and creative attempts to improve their own condition. In return for doing that work well and making money for their owners, urban slaves enjoyed much greater autonomy both at work and when not working.

Cities, then, were far from being in the stranglehold of elites. Early modern state power was tenuous, shallow, and weak. Terms like "conquest" and "slavery," with all their latent and explicit references to European dominance over Indians and Africans, can obscure as much as they illuminate. They are abstractions reinforced by a historiography that relies on the paperwork left behind by lay and clerical European settlers and imperial bureaucracies. Extant archives register the everyday operations of the various local and imperial state powers and therefore register their aspirations of mastery and sovereignty rather than the complicated and endlessly negotiated on-the-ground realities of life in the Americas.

Cities were less the epicenters of colonial power than they were borderlands within the heart of the colonial project. The violence that characterized the Atlantic, violence characteristic of colonialism throughout the world, was itself the reflection of the limits of the state's control. The best model to capture the power dynamic of the Atlantic World is one that highlights each locale (urban and otherwise) as networked and self-organizing. European hegemony in Afro-American cities was tenuous indeed. Take Cartagena, analyzed by Jane Landers in this volume. The Caribbean port city was surrounded by hinterlands dominated by maroon communities. How did masters maintain control over city slaves if they could easily flee to the hinterlands? Jane Landers shows that palenques (runaway slave communities that exhibited an element of permanency and encampment) used the city of Cartagena, and in turn the city used them. Maroons raided the city's outskirts for staples and women, they built alliances and engaged in rivalries with neighboring Indian nations, they maintained networks of support with urban slave populations, they drew on the sacred expertise of urban Catholic priests to tend the palenques' spiritual needs, and ultimately they negotiated with and won recognition from imperial authorities as "cities" of their own. As a result, maroons living in the palenques acquired standing as subjects of the king and fully enfranchised vecinos. The maroon villages near Cartagena were in fact microcosmic "African cities," teeming with peoples with wide-ranging genealogical origins that stretched from Senegal to Angola. These towns became spaces of ethnogenesis, polyglot African towns led by a representative authority, usually a king. As such, these settlements traded recognition within the imperial order for a promise to support that order by returning runaway slaves and participating in provincial defense.

Blacks in other Atlantic cities followed analogous paths, though the local variations are as important as the similar themes. For example, the black quarter of Lisbon became known as Mocambo to reflect the Angolan and Congo population that populated the city. "Mocambo" is a Kimbundu word for a hideout and was commonly used by masters and slaves in Brazil to refer to maroon communities. According to James Sweet, Lisbon's Mocambo, like those of other Atlantic cities, played complicated and contradictory roles within the larger social order. It sometimes protected fugitives escaping from the interior, and it probably included freed colored people and slaves engaged in a broad range of urban occupations, from day laborers to artisans to washerwomen to prostitutes, who hired their time and lived away from their owners. Blacks gathered at night on street corners and crossroads in Mocambo to perform religious rituals like burying mandiga bags. Household slaves were privy to the private behavior of their masters and occasionally denounced them to the Inquisition for impiety. This was just one way that blacks manipulated the regime of composite sovereignty of the city: they also escaped authorities by seeking refugee in the church when accused of street crimes. Lisbon, like Cartagena, offered enslaved and free Africans and people of African descent tools that they used to increase their social and cultural autonomy.

Mexico City offered another set of variations on the theme as the chapter by Nicole von Germeten shows. In 1615 Afro-Mexican cofradías organized a rebellion that was nipped in the bud, showing that even ecclesiastical authorities found it difficult to control the cofradías. The aborted uprising began with a procession of fifteen hundred cofrades, whose brotherhood was linked to the Mercederians, parading the body of a dead woman slave. They pelted the archbishop's palace and the Inquisition with stones, showing a clear lack of respect for their ecclesiastical superiors and eliciting a brutal response. The authorities ultimately hanged thirty-five conspirators, six of whom they quartered while still alive; the remaining twenty-nine were posthumously decapitated. The black cofradías exercised their autonomy most dramatically by appointing women to positions of authority over the organizations' communal property. African women even participated in acts of public flagellation among penitential cofradías, violating standard practices of Iberian sodalities. The self-governing aspect of these black organizations was reflected in their finances. Cofradías would collect fees to maintain burial and health services provided to the members, and they retained control over the fees and fines that members paid and the benefits that the organization bestowed. Some of these activities fell within the parameters of the Church's expectations and of the norms governing Iberian cofradías, but others did not, revealing the ways that blacks in Mexico City used the institutional structures provided by the Church to increase their collective autonomy.

The religious sodalities of Havana, there called cabildos, operated in similar ways, though perhaps because Cuba's involvement in the Atlantic slave trade continued for so long, the cabildos' ties to African places of origin remained more specific much later than was the case in Mexico. The chapter by Matt D. Childs shows that enslaved and free people of color in Havana joined together in cabildos that were often tied to specific places of African origin, and that they worked in them and through them to organize their resistance to slavery. But he goes beyond that here by exploring the more routine ways that Havana's cabildos fostered the communal lives of the city's black residents. Syncretic rituals and beliefs emerged in the different cabildos, as they adjusted first to slavery and then to the decision of Havana's authorities to move them out of the heart of the city. This did not stop their commitment to communal support and cultural survival. In fact, by moving the cabildo houses beyond the city walls, authorities inadvertently seem to have increased their autonomy by making them less susceptible to constant surveillance. Removed from the center of Havana, the African cabildos came to play an even more central role in black Havana's cultural and political life.

Approved institutional structures authorized by the Catholic Church were not always necessary for Africans and their descendants to build fraternal structures. The French in the port city of Le Cap in the colony of Saint Domingue did not encourage the creation of cabildos and cofradías among African slaves as was common in the Iberian Atlantic. Nonetheless, even without the Church's institutional support, the African and African-descended residents of Le Cap built analogous organizations. In the absence of institutional support, the records through which their activities can be reconstructed are inevitably sketchy, but David Geggus's analysis of those scarce records reveals that slaves congregated along ethnic lines in established places on the outskirts of the city. On Sunday market days when the thirty-five hundred slaves of Le Cap were joined by fifteen thousand others from surrounding plantations, the slaves would gather along ethnic lines, each with their own self-appointed authorities and pools of money that took care of their dead and infirm. Different ethnic groups wore different sashes and garments and gathered in distinct quarters: La Providence, La Fossette, and Petit Carénage. Scholars too easily conceive of cabildos and cofradías as institutions introduced to African American cities by Spanish Catholic corporatism. No doubt that is partially true, but Geggus's discovery of these unincorporated organizations in Le Cap combined with the emergence of analogous organizations among free black people in the very different world of northern U.S. port towns strongly suggests that the Spanish institutional framework simply allowed slaves' adaptation of the various and widely shared West and Central African secret society traditions to find their way into the historical record.

Africans and African-descended people in Cartagena illustrate the similarity between what happened in Le Cap and the standard narratives of ethnic "survival" in Spanish America. Slaves in Cartagena, as in Le Cap, gathered in the outskirts of the city in designated places along ethnic lines, as some of the evidence gathered by Jane Landers suggests. The city council, through ordinances, repeatedly sought to regulate the rowdiness of these meetings, to no avail. Some had formal cofradías that offered institutional loci for their communities, but the Araras of Cartagena had no cofradía or cabildo of their own. Nonetheless, during the seventeenth century, they began electing a king who was responsible for, among other things, collecting dues to pay for burying the dead. This self-organized and self-governing brotherhood differs little from those of Le Cap. And if both differ in interesting ways from cofradías that were formally endorsed by the Church, those differences may have more to do with the ways they interacted with white authorities than with the ways they developed internal senses of community.

Different variations on these themes played out in African Atlantic urban places that are often seen as distinct from these European-dominated hubs of the Atlantic trade. The principle of autonomy and self-organization of African urban communities can be seen in the religious choices of the ninety-four thousand recaptives of Freetown, Sierra Leone, who are the subject of David Northrup's chapter. Most joined Methodist or Baptist churches rather than the established Anglican Church, opting to control their own autonomous parishes. Slaves in Luanda lived in sensalas, separate makeshift quarters. The state exercised little control over these neighborhoods, where thieves and smugglers organized rackets and thrived, as Roquinaldo Ferreira elegantly shows. This is reminiscent of Le Cap's Petite Guinee, ostensibly the quarter of the city where slaves for hire lived, but also home to those escaping their masters, as illustrated by a single raid in which authorities found two hundred runaways in 1785. The point is not that all of these cities were the same. They were not, but they shared some important structural characteristics that created opportunities for blacks victimized by the Atlantic slave trade to carve out economic, social, and cultural niches within which they could shape their own lives and the lives of these cities.

Enslaved and freed black Brazilian sailors and merchant factors traveled back and forth across the Atlantic in ways that created an inordinately strong ongoing and reciprocal network of communication between the black communities in Brazil and the slaving ports of Africa. This also created remarkably autonomous black individuals, but such autonomy was not limited to mariners in the Luso-Atlantic. Consider enslaved pilots who guided boats into British American harbors and who are the subject of Kevin Dawson's study. Pilots held one of the highest positions open to slaves for hire in the port cities of the Black Atlantic because pilots' skills made them particularly valuable. Enslaved British pilots were sometimes manumitted when they used their skills to save vessels and crews, and at other times they accumulated enough money through their work to buy their freedom. Their navigational skills conferred unusual power over crews in moments of danger. The safety of cargo, property, and crews was in the hands of pilots, and crewmates and captains chose to treat them with the respect accorded to officers. The case of pilots and their privileges in the British Caribbean suggests a world of autonomous networking and limited but significant self-governance in urban slave societies and even rural ones. The case of Rio de Janeiro's barbeiros, a combination of healers, blood letters, and hair dressers, as recounted in Mariza de Carvalho Soares's chapter, also exemplifies the autonomy acquired by some urban slaves. As slaves for hire, barbeiros were frequently sent as surgeons on ships, visiting ports in Africa and India.

African slaves often sought to organize themselves along distinct ethnic lines. Different ethnicities sometimes gained dominance over specific trades, sometimes cohered in identifiable neighborhoods or quarters, and sometimes lay claim to specific urban locations for worship. Ethnic patterns changed and evolved, taking different meanings over time and place, so, as has become increasingly clear, it is a mistake to fall into the creolization/survivalist dichotomy by looking for either the straightforward transmission of group identities across the Atlantic or the construction of entirely new identities in the Americas. Meanings varied from city to city as well as over time, so that being Hausa in Bahia was not the same as being Hausa in Freetown, and neither corresponded exactly to being Hausa in Hausaland. Nor, however important ethnicity was, did it rule out alternative, more centripetal forms of identity and identification. Parallel to the centrifugal forces of ethnic identity there stood mechanisms of cohesion that informed pan-ethnic identities. Ethnic identities could and did form in tandem with racial (or pan-African) identities, however much it might seem that there must have been tensions between the two processes.

The complicated interplay among these forces, as Robin Law's chapter suggests, appeared in eighteenth- and nineteenth-century Ouidah, one of the main slave ports of West Africa, which alone exported over one million enslaved Africans. Different ethnic groups, some of long-standing and some of more recent formation, lived together in different neighborhoods. Ouidah was divided into twelve quarters, and its governing structure was remarkably similar to those that prevailed in early modern European composite monarchies. It was a part of the kingdom of Dahomey, which comprised peoples of various ethnicities who pledged allegiance to the same king. Like many early modern European commercial entrepôts, Ouidah reflected the multiethnic character of its kingdom as well as the cosmopolitan reach of its mercantile connections—in this case, the slave trade. It housed merchants from England, France, Portugal, Brazil, Madeira, Angola, and even Goa. Certain ethnic groups were associated with specific skills and trades: enslaved and free canoe men came from the Gold Coast a region, which had a very well-established tradition of coastal trading. Gold Coast slaves also served as soldiers. The multiethnic African character of the city was reflected in the multiple deities and temples, most of which catered primarily but not exclusively to followers who shared an ethnic origin. Ouidah did not have the kind of secret societies that often cut across ethnic division and contained the centrifugal force of ethnic rivalries by mediating among factions when differences arose in other West African slaving ports. That is not to say that Ouidah lacked any centripetal force. The port's complicated relationship with and resistance to Dahomey did much to unify the different groups.

In nineteenth-century Sierra Leone, British efforts to curtail the slave trade created a laboratory in which the processes of ethnogenesis stimulated by Atlantic slaving played out under unusually watchful eyes, as analyzed in the chapter by David Northrup. Between 1815 and 1850 Sierra Leone received ninety-four thousand recaptives from the English navy during interdiction of the slave trade. Recaptives claimed fragmented identities along ethnic and linguistic lines, with over 160 languages recorded among the Africans taken to Sierra Leone. A sense of being "African" developed among some elites. Yet the populace developed subcontinental, new identities out of the bewildering mix, and they helped forge identities that continue to shape African politics today: Yoruba, Igbo, Hausa, Coromantee, Calabar, Kongo, Mozambique, Paupa, and Mandingo. Emerging ethnic communities created mutual aid societies, called "companies," which behaved much like mutual aid societies in the Americas, working to preserve dances, music, festivals, and other customs from their homelands through a process of collation and compromise. Some of these cabildo-like institutions elected kings of their own. Old African religions coexisted with Christianity as well as with Islam. A Yoruba identity emerged in Sierra Leone as part of the diaspora and was later taken to the original Yoruba homeland by emigrants, not unlike returns of Yoruba migrants from Cuba and Brazil to Yorubaland in the nineteenth century. The same thing happened with the Igbo of the Niger Delta. But if many of these ethnic identities quickly came to understand themselves as "traditional," they were syncretic from the start. Their leaders often joined Methodist and Baptist churches that had been introduced to Freetown by the founding communities of "Nova Scotian" black refugees. The recaptives used English-language prayer books while developing new skills such as literacy in missionary schools. A Christian, creole identity emerged alongside and in conjunction with more specific ethnic identities.

Brazilian cities like Bahia that maintained close connections to Africa witnessed and participated in similar processes as João Reis's contribution persuasively shows. From 1801 to 1866 Bahian merchants imported 415,331 slaves, 88 percent of whom came from West Africa, most enslaved in the wars waged by the kingdom of Dahomey on its neighbors and the collapse of the Oyo Empire due to civil war. West Africans in Bahia were originally referred to as "Mina," but over time enslaved Bahians differentiated among Jejes, Nago, and Hausa. Free colored and self-hired enslaved members of these ethnic communities organized spatially in residential settlements, and ethnically homogeneous labor gangs laid claim to different corners of the city (cantos). Ethnic communities could bridge the urban-rural divide, creating vertical and horizontal systems of economic integration by monopolizing the production and distribution of certain commodities and services. Ethnic groups sometimes organized savings pools (juntas de alforria) to help enslaved members purchase manumission, and these newly freed people would pay high interest rates to the group, helping to perpetuate the cycle of manumission within the group. In the case of the Hausa, the pools also helped defray the cost of Muslim garments and health care for members. Ethnic groups also organized in sodalities, despite the effort of Catholic authorities to open them to blacks of all ethnicities. Cofradía ethnicity was determined by those in positions of leadership; the cofradía itself, however, often admitted individuals from other ethnicities, though it limited them to subordinate positions. Ethnic groups also gelled around communities of religious initiates dedicated to worshiping ancestral spirits through spiritual possession cults, now known as Candomblé. The Jejes organized around Vodun, the Nagos around the Oriza, the Hausa around Bori, and the Angolan around Nkisi. Houses of worship organized around ethnic lines, in turn, occupied distinct locations in the outskirts of town. Yet despite the attempts to pair ethnic communities with specific religious practices, hybridity marked the beliefs of the enslaved and free population of African descent in Bahia. For example, the Nago cult to Oriza borrowed from Jeje Vodun practices and institutions. Even rebellion took on an ethnic dimension. The Muslim Hausa led their own in multiple uprisings between 1809 and 1814. By the 1830s it was Yoruban Muslims who were leading revolts as their numbers increased in the city. Brazilian-born slaves, in turn, developed a separate creole identity, distinct from their African parents, and refused to join rebellions or mingle with new Africans.

In Rio, as in Bahia, some artisanal work was dominated by slaves of a particular ethnicity. Barbeiros, for example, became firmly associated with Minas, Angolans, and Benguelans, as Mariza de Carvalho Soares's chapter shows. This association was enforced by guild regulations that reflected the barbeiros' determination to retain ethnic control of their craft. In keeping with the patterns found in Bahia, Lisbon, and Havana, ethnically defined sodalities played an important role in the barbeiros' attempt to exert control over their lives in Rio. They joined a sodality devoted to Nossa Senhora dos Remedios, as well as organizing a distinct militia corp. The fascinating if fragmentary evidence of the barbeiros' methods of bleeding and cupping patients in Brazil provides glimpses of the ways that knowledge of healing practices crossed the Atlantic and the ethnic lines of identification among black Brazilians. Roquinaldo Ferreira's discovery that Luanda merchants sold Central African leeches to Rio provides even more details on the medical practices that linked the port cities of the Black Atlantic in the eighteenth century.

These processes of Africanization and creolization did not exclude—and may even have encouraged—the circulation of individuals across ethnic and racial lines in ways that further hybridized these urban communities. Slaves of crown officials crossed and recrossed the Atlantic, connecting black communities in various Atlantic ports. Merchants of various nationalities also brought slaves into different port cities, sometimes visiting and sometimes settling in new locations and always enhancing the trans-imperial circulation of ideas. The barbeiro slaves of Rio were hired out to serve on ships that went out for months sailing the oceans and visiting various ports. Luanda also had highly mobile slaves for hire who frequently went to sea. Others were sent into the Angolan interior by their merchant masters, serving for months or even years as factors. In Le Cap's hinterland black coachmen enjoyed great mobility, and some, most famously Toussaint Louverture, would later become leaders of the Haitian Revolution. In the case of the Portuguese Atlantic, the very centralization of the Inquisition in the metropole meant that trials of Brazilian slaves took place in Portugal, thus taking troublesome slaves to the metropole. Free colored merchants in Salvador, Ouidah, Rio, and Luanda brought residents of Brazil and Africa into regular, ongoing contact. These essays illustrate why it no longer makes sense to see the processes we have called creolization and those we have conceived of in terms of cultural survival in tension with one another.

The Experiences of Africans in the Urban Black Atlantic

The essays are organized into four thematic sections. In the first section, titled "African Identities in Atlantic Spaces," David Northrup, Robin Law, and João Reis analyze the social and cultural dynamics of Freetown, Sierra Leone, Ouidah in present-day Benin, and Bahia, Brazil. They tell very different stories about these different cities, but each sheds light on the way that African ethnic identities that were, until recently, often treated by scholars as "traditional" or recreating "traditional cultures" were in fact products of slaving in the Atlantic World. This does not, of course, make them less authentic, real, or African. Instead, it reveals them to be, like all collective identities, the product of history, and in the cases of Ouida and Freetown, it underscores the influence of the Atlantic economy and the Atlantic slave trade on the cultures of Africans who were not taken from the continent.

The second section, titled "The Sources of Black Agency," consists of essays by Matt Childs on Havana, Cuba, David Geggus on Le Cap, Saint Domingue, and Trevor Burnard on Kingston, Jamaica. Each of these cities is, of course, on a Caribbean island, but each was also controlled by a different European imperial power. Given the similarity of their socioeconomic histories—each, in the period covered in these essays, was the port for a booming sugar-producing hinterland—they provide an opportunity to contemplate the effects of different imperial regimes on the local cultures of the African diaspora. The essays reveal real and important differences: Africans in Havana came together in formally organized sodalities, and the institutional strength they gained through the Church both influenced their forms of religious devotion and provided them with a secure foundation in the city (and the historical record). Africans in Le Cap lacked such formal institutions but organized themselves in similar ways, though presumably their organizations were more tenuous; they are certainly less well documented. Only the scantiest evidence of such organization has turned up in Kingston, though there are hints that analogous things were occurring. Read together, these three essays do more than provide fascinating and much-needed analyses of black life in three of the Caribbean's most important cities; they raise crucial questions about the ways that different imperial cultural and legal regimes influenced the avenues available to victims of Atlantic slavery, and they remind us how important it is to distinguish between how such regimes changed what happened on the ground and how they changed what found its way into official records.

The third section, "Urban Spaces and Black Autonomy," brings together four essays that highlight the ways urban social relations expanded opportunities for black agency. In Jane Landers's discussion of the complex relationships between maroons living outside of Cartagena and residents—black and white—within the city, in Kevin Dawson's discussion of enslaved pilots' remarkable record of self-assertion and financial success, in Roquinaldo Ferreira's unpacking of the extraordinary social relations in Luanda, and in Mariza de Carvalho Soares's discussion of the barbeiros of Rio, this section provides a series of snapshots of the kinds of urban relations that historians of North American slavery once thought rendered urbanization incompatible with slavery. The essays do far more, however, than prove once again that slavery was an adaptable institution that could flourish in cities. They highlight the range of ways that different people of different ethnic backgrounds and possessing different kinds of skills worked within the constraints posed by slaving and slave regimes to forge meaningful communities and collective identities.

The final section of the book, "Black Identities in Non-plantation Economies," comprises two essays examining black life in cities somewhat removed from the plantation complex. That is not, of course, to say that they were not a part of it; they were. But neither James Sweet's Lisbon nor Nicole von Germeten's Mexico City served either as a major slaving port or as the central urban place for a plantation hinterland. Nonetheless, African and African-descended people played important roles in each city, and they responded to what they found in each city in ways that are analogous to developments in African cities and to ports that served plantation America. They bring the collection to an appropriate conclusion by emphasizing the ways that African and African-descended people living in cities throughout the Atlantic World participated in a similar array of cultural processes.

Cities in the Black Atlantic

Atlantic slavery was driven by what historian Philip Curtin in 1990 labeled the "plantation complex." The overwhelming majority of the West and Central African victims of slaving who were sold into the Americas ended up on plantations, usually sugar plantations. There are, then, good and obvious reasons that scholarship on slavery in the Americas has focused on rural places and experiences. These essays do not, and are not intended to, suggest that Atlantic cities should replace plantations as the focus of slave studies. They do, however, suggest that historians of Atlantic slavery, at least of slavery in places other than Brazil, may have paid less attention to cities than they should have, and that they may have been too inclined to focus on the very real differences between urban and plantation slavery rather than on the links between them. Atlantic port cities in the era of the slave trade became sites of cultural incubation, bringing together peoples of different African and European identities and creating conditions in which they lived, worked, worshipped, fought, and died in close proximity. It was in these cities that the complex and contentious collision of the peoples of Africa, America, and Europe who created the Atlantic World were most intense and persistent.

It was probably in American port cities, as Trevor Burnard points out in his discussion of Kingston, Jamaica, that most enslaved Africans definitively experienced one of the transformations that defined plantation slavery. It was there, when they were taken off ships and sold to buyers in the slave market, that most must have begun to perceive a decisive move from a familiar if often horrific system of slavery in which those who lost their places in locally recognized lineages became nonpeople, to a system of slavery in which people became commodities. It was there that disoriented victims of the Middle Passage must have begun to face what historian Walter Johnson has labeled the "chattel principle." The essays in this volume clearly support arguments made by scholars like Vincent Brown who have rejected attempts to explain what happened after sale by invoking the concept of social death. Faced with the devastation of losing their places in their Old World communities, enslaved Africans set about creating new communities in which they could reestablish themselves among the socially living. Most of course had to do most of this work on the plantations to which they were sold, but it began in the African and American ports, and those ports became cultural hothouses, where the cultural processes found throughout the African Atlantic occurred faster and with more intensity.

Throughout much of Iberian America the Catholic Church supported fraternal organizations that those victimized by the slave trade used to build and reinforce local communities. As David Geggus shows, urban slaves facing similar challenges without that institutional support responded in similar ways. Trevor Burnard has not reported similar responses in Kingston, but at the risk of reading too much into a snippet of evidence, it is worth noting that Olaudah Equiano/Gustavus Vassa's report that the slaves of Jamaica gathered on Sundays to dance "after the manner of their own country." It is at least possible—even probable—that enslaved Jamaicans living in Kingston forged the same kinds of informal sodalities that enslaved Saint Dominguans living in Le Cap built. And it seems likely that in both of these places, as became clear in Havana during the Aponte Rebellion and Cartagena with connections to maroon communities, these urban institutions maintained connections to enslaved people in the countryside, serving as crucial sites for the development and transmission of syncretic cultural traditions.

In this way the urban Black Atlantic played a disproportionately important role in the development of the cultures and identities of the diaspora. As has become increasingly clear, and as is underscored in David Northrup's essay on Freetown and Robin Law's on Ouidah, the urban Atlantic also provided the cultural hothouse in which what we now consider the traditional cultures of West Africa grew. That the genealogy of Yoruba identity reaches back to both of those non-Yoruba African cities as well as to Bahia in Brazil underscores the role that Atlantic cities and their African and African-descended residents played in creating the world in which we live.

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